Chen Yan travels through time, only to end up becoming an honorable prince in the Middle Ages of Europe. Yet this world was not quite as simple as he thought. Witches with magical powers abound, and fearsome wars between churches and kingdoms rage throughout the land. Roland, a prince regarded as hopeless by his own father and assigned to the worst fief, spends his time developing a poor and backward town into a strong and modern city, while fighting against his siblings for the throne and absolute control over the kingdom. Join Roland as he befriends and allies with witches and, through fighting and even farming, pushes back invaders from the realm of evil.

Chen Yan travels through time, only to end up becoming an honorable prince in the Middle Ages of Europe. Yet this world was not quite as simple as he thought. Witches with magical powers abound, and fearsome wars between churches and kingdoms rage throughout the land. Roland, a prince regarded as hopeless by his own father and assigned to the worst fief, spends his time developing a poor and backward town into a strong and modern city, while fighting against his siblings for the throne and absolute control over the kingdom. Join Roland as he befriends and allies with witches and, through fighting and even farming, pushes back invaders from the realm of evil.

Chen Yan travels through time, only to end up becoming an honorable prince in the Middle Ages of Europe. Yet this world was not quite as simple as he thought. Witches with magical powers abound, and fearsome wars between churches and kingdoms rage throughout the land. Roland, a prince regarded as hopeless by his own father and assigned to the worst fief, spends his time developing a poor and backward town into a strong and modern city, while fighting against his siblings for the throne and absolute control over the kingdom. Join Roland as he befriends and allies with witches and, through fighting and even farming, pushes back invaders from the realm of evil.

Seeking to reclaim humanity's early secrets, the Umbra Arca Society was forged. Equipped with only a compass, a journal, and devotion to truth, these adventurers braved cursed landscapes. The Shadow Atlas collects their adventures.

Chen Yan travels through time, only to end up becoming an honorable prince in the Middle Ages of Europe. Yet this world was not quite as simple as he thought. Witches with magical powers abound, and fearsome wars between churches and kingdoms rage throughout the land. Roland, a prince regarded as hopeless by his own father and assigned to the worst fief, spends his time developing a poor and backward town into a strong and modern city, while fighting against his siblings for the throne and absolute control over the kingdom. Join Roland as he befriends and allies with witches and, through fighting and even farming, pushes back invaders from the realm of evil.

Exquisite revenge and knitted doppelgängers; heartbreak and happy endings; unicorns, doomed dogs, and penitent frogs; steampunk fairies, conflicted stepmothers, and baseball--you'll find it all here. Our literary alchemists weave a spell of fascination, drawing you deeper and deeper, tale by tale, until escape is impossible. But you'll enjoy every minute of the plunge. These sixteen deft and delightful stories involving witches, stitches, and bitches run the gamut from darkly disturbing to just plain fun. They will each take you out of the ordinary and into the world of magic, where older, weirder, or merely other rules apply. And just when you think things are all sewn up... some bitch may have a surprise for you. Includes stories by Gabrielle Harbowy, Caren Gussof, Kodiak Julian, and Christine Morgan, among others.

Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.