Chen Yan travels through time, only to end up becoming an honorable prince in the Middle Ages of Europe. Yet this world was not quite as simple as he thought. Witches with magical powers abound, and fearsome wars between churches and kingdoms rage throughout the land. Roland, a prince regarded as hopeless by his own father and assigned to the worst fief, spends his time developing a poor and backward town into a strong and modern city, while fighting against his siblings for the throne and absolute control over the kingdom. Join Roland as he befriends and allies with witches and, through fighting and even farming, pushes back invaders from the realm of evil.

Modern witchcraft blends with ancient Celtic mythology in an epic clash of witches and gods, perfect for fans of V.E. Schwab's Shades of Magic trilogy and The Chilling Adventures of Sabrina. Seventeen-year-old Dayna Walsh is struggling to cope with her somatic OCD; the aftermath of being outed as bisexual in her conservative Irish town; and the return of her long-absent mother, who barely seems like a parent. But all that really matters to her is ascending and finally, finally becoming a full witch—plans that are complicated when another coven, rumored to have a sordid history with black magic, arrives in town with premonitions of death. Dayna immediately finds herself at odds with the bewitchingly frustrating Meiner King, the granddaughter of their coven leader. And then a witch turns up murdered at a local sacred site, along with the blood symbol of the Butcher of Manchester—an infamous serial killer whose trail has long gone cold. The killer's motives are enmeshed in a complex web of witches and gods, and Dayna and Meiner soon find themselves at the center of it all. If they don't stop the Butcher, one of them will be next.

Exquisite revenge and knitted doppelgängers; heartbreak and happy endings; unicorns, doomed dogs, and penitent frogs; steampunk fairies, conflicted stepmothers, and baseball--you'll find it all here. Our literary alchemists weave a spell of fascination, drawing you deeper and deeper, tale by tale, until escape is impossible. But you'll enjoy every minute of the plunge. These sixteen deft and delightful stories involving witches, stitches, and bitches run the gamut from darkly disturbing to just plain fun. They will each take you out of the ordinary and into the world of magic, where older, weirder, or merely other rules apply. And just when you think things are all sewn up... some bitch may have a surprise for you. Includes stories by Gabrielle Harbowy, Caren Gussof, Kodiak Julian, and Christine Morgan, among others.

From the author of The Inheritance of Orquídea Divina: The witches of New York are back! In the epic conclusion to the award-winning series, the final Mortiz sister's story is told. Infused with Latin American tradition—the Brooklyn Brujas series follows three sisters—and brujas—as they develop their powers and battle magic in their hometown and worlds beyond. Rose Mortiz has always been a fixer, but lately she's been feeling lost. She has brand new powers that she doesn't understand, and her family is still trying to figure out how to function in the wake of her amnesiac father's return home. Then, on the night of her Deathday party, Rose discovers her father's memory loss has been a lie. As she rushes to his side, the two are ambushed and pulled through a portal to the land of Adas, a fairy realm hidden in the Caribbean Sea. There Rose is forced to work with a group of others to save Adas. Soon, she begins to discover the scope of her powers, the troubling truth about her father's past, and the sacrifices he made to save her sisters. But if Rose wants to return home so that she can repair her broken family, she must figure out how to heal Adas first. Brooklyn Brujas Series: Labyrinth Lost (Book 1): Alex's story—set in the mythical fantasy world of Los Lagos Bruja Born (Book 2): Lula's story—urban fantasy set on the streets of Brooklyn Wayward Witch (Book 3): Rose's story—set in the magical fairy realm of Adas Perfect for those looking for: A fantasy witch series Latinx books Dark fairy tales Young adult fantasy Books about sisters

The incantation is one of the most ancient and best-known techniques of verbal magic, utilizing vocal modulation and the complex poetics of the word to conjure spirits or occult power. Other literary forms, such as the epic, koan, psalm and cipher may also participate in the arcana and power accessed by the arts of the occult. Yet fiction, largely considered entertainment or in its higher forms, philosophy seldom transcends its secular associations. Occult Fiction, as an emerging literary form, is a verbal magic realized in both form and function. Not only does it give voice to discarnate entities, it also vivifies them into presence through the flesh of the reader. Having conjured the entic to form, such work generates an embodied state of alienating power within the reader, a possession of sorts which eclipses consciousness and allows sensorial contact with the otherworldly. As the inaugural Occult Fiction Anthology from Three Hands Press, Penumbrae contains twelve tales exemplifying this rubric, some of which have drawn their art from the experiential alembic of occult operations. Among its authors are Kenneth Grant, Don Webb, Richard Gavin, Patricia Cram, Michael Cisco and Sun Yung Shin."

This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346

(Vocal Collection). Songs in authentic versions, chosen especially for teens, with introductory notes about shows and plots. The Tenor edition features 36 songs, including: Anthem * Any Dream Will Do * Breaking Free * Close Every Door * Giants in the Sky * Here I Come * I'm Calm * Not While I'm Around * On the Street Where You Live * Something's Coming * That Face * When She Loved Me * Younger Than Springtime * and more.