Colonial texts often read the Indian woman warrior as a cultural anomaly, but Indian texts find recourse in the mythological examples of the female warrior. Rani Lakshmi Bai's remaking transforms the mythologically viable, yet socially marginal, figure of a woman in battle into bounded and meaningful feminine roles such as daughter, wife, mother, and queen. Women and the home were integral to how nationalist discourse envisioned the modern, yet traditional, Indian nation. The Rani remains a metaphoric referent of the home, and is an abiding symbol of the nation, reinvented as authority, power, and tradition. The depictions of the Rani signals what is at stake in representing the unrestricted woman in the public sphere. The book extends the discussion on what constitutes the historical archive of the gendered colonial subject and the postcolonial rebel by being attentive to the vexed figures produced within the competing ideologies of colonialism and nationalism.

RANI LAXMIBAI was a capable ruler, an intelligent communicator, and defender of the faith. She was sagacious when it came to her people and astute in dealing with her enemies. The widowed Queen had to repeatedly face gruelling challenges but drew strength from adversity, relying on her sense of justice, her dignity, and her magnanimity. She never surrendered to destiny, choosing instead to shape her own life. The British annexed Rani Laxmibai's kingdom, took away her political rights, and humiliated her. But she valiantly fought the foreign power and died a hero. Written after extensive research, this book portrays the making of a remarkable queen. Rani Laxmibai, the brave warrior-queen, remains a source of inspiration to us all.

1857-1858: The British Empire in India is teetering on the brink of collapse in the face of widespread rebellion by native regiments. In the final phase of the Great Indian Mutiny an intrepid young woman rises to lead the mutinying sepoys: Lakshmibai, the

Among the more improbable events of the Asia-Pacific Theater in World War II was the creation in Singapore of a corps of female Indian combat soldiers, the Rani of Jhansi Regiment (RJR). They served under Indian freedom fighter Subhas Chandra Bose in the Indian National Army. Because the creation of an Indian all-female regiment of combat soldiers was a radical military innovation in 1943, and because the role of women in today’s broader context of Indian culture has become a prevalent and pressing issue, the extensive testimony of the surviving veterans of this unit is timely and urgent. The history of these brave women soldiers is little known, their extraordinary service and the role played by Bose remains largely unexplored. In the years since the RJR surrender in 1945, the story of Subhas Chandra Bose and the Rani Regiment of female combatants as signature symbols of both the national fight for independence and of Indian women’s struggle for gender equality has taken on aspects of myth. Lengthy interviews with the veteran Ranis together with archival research comprise the evidence that separates the myth of the Bengali hero and his jungle warrior maidens from historical fact, and this resulting book presents an accurate narrative of the Ranis. The facts are nearly as impressive as the legend.

Born on the banks of the Ganges at Benares, little Manakarnika was a charged and precocious girl and she was destined to be etched in history as the towering queen of the Revolt of 1857. A touching yet accurate portrait of this Indian Boadicea, The Ranee of Jhansi as a biography also puts the events of the mutiny and the actual role of Lakshmibai in it, into perspective. The writer takes you on a journey through the plains and hills of central India which in 1857 could have but such is the fatalism of history turned around India s future forever. It makes for a breathless reading from beginning to end through the circumstances that led to the revolt and through the vivid scenes of the glorious battle at Jhansi. A woman of the strongest Mahratta mettle, Lakshmibai had an intuitive grasp of warfare, astute judgement of the enemy s power and an indomitable will that made her fight even in the face of defeat. And being a young Brahmin widow of thirty who led a whole army, she inadvertently created one of the greatest ironies in Indian history, when she was declared the best man on the rebel side !

In this groundbreaking work, which covers thousands of years and spans the globe, Linda Grant De Pauw depicts women as victims and as warriors; as nurses, spies, sex workers, and wives and mothers of soldiers; as warrior queens leading armies into battle; and as baggage carriers marching in the rear. Beginning with the earliest archaeological evidence of warfare and ending with the dozens of wars in progress today, Battle Cries and Lullabies demonstrates that warfare has always and everywhere involved women. Following an introductory chapter on the questions raised about women’s participation in warfare, the book presents a documented, chronological survey linked to familiar models of military history. De Pauw provides historical context for current public policy debates over the role of women in the military. "Whether one applauds or deplores their presence and their actions, women have always been part of war. To ignore this fact grossly distorts our understanding of human history."