Dialogo Ergo Sum: from a Reflexive Ontology to a Relational Ontology, R. Marchesini - The Party of the Anthropocene: Post-humanism, Environmentalism and the Post-anthropocentric Paradigm Shift, F. Ferrando - From Anthropocentrism to Post-humanism in the Educational Debate, A. Ferrante e D. Sartori - Senseless Distributions: Posthumanist Antidotes to the Mass Hermit, D. Sisto - The Post-human Sound: an Interview with Michelangelo Frammartino, A. Lanfranchi - Against Animal Rights? A Comment on Contro i diritti degli animali? Proposta per un antispecismo postumanista (Against Animal Right? A Proposal to a Post-human Antispeciesism), by R. Marchesini, A.G. Biuso - Posthuman Glasses for Nomadic Subjectivities: a Comment on Il postumanesimo filosofico e le sue alterità (Philosophical Posthumanism and Its Others), by F. Ferrando, A. Balzano - Reviews: LNRZ, Golem (2014); LNRZ, Astrogamma (2015), V. Gamberi - Alessandro Ferrante, Pedagogia e orizzonte post-umanista (2014), C. Palmieri - Davide Sisto, Narrare la morte. Dal romanticismo al post-umano (2013), C. Rebuffo - Wajdi Mouawad, Anima (2015), D. Zagaria - Her (2013), film directed by Spike Jonze, A. Lanfranchi e G. Ravanelli.

CONTENTS: Dialogo Ergo Sum: from a Reflexive Ontology to a Relational Ontology, R. Marchesini – The Party of the Anthropocene: Post-humanism, Environmentalism and the Post-anthropocentric Paradigm Shift, F. Ferrando – From Anthropocentrism to Post-humanism in the Educational Debate, A. Ferrante e D. Sartori – Senseless Distributions: Posthumanist Antidotes to the Mass Hermit, D. Sisto – The Post-human Sound: an Interview with Michelangelo Frammartino, A. Lanfranchi – Against Animal Rights? A Comment on Contro i diritti degli animali? Proposta per un antispecismo postumanista (Against Animal Right? A Proposal to a Post-human Antispeciesism), by R. Marchesini, A.G. Biuso – Posthuman Glasses for Nomadic Subjectivities: a Comment on Il postumanesimo filosofico e le sue alterità (Philosophical Posthumanism and Its Others), by F. Ferrando, A. Balzano – Reviews: LNRZ, Golem (2014); LNRZ, Astrogamma (2015), V. Gamberi – Alessandro Ferrante, Pedagogia e orizzonte post-umanista (2014), C. Palmieri – Davide Sisto, Narrare la morte. Dal romanticismo al post-umano (2013), C. Rebuffo – Wajdi Mouawad, Anima (2015), D. Zagaria – Her (2013), film directed by Spike Jonze, A. Lanfranchi e G. Ravanelli.

TABLE OF CONTENTS. EDITORIAL: Past the Human: Narrative Ontologies and Ontological Stories, Serenella Iovino, Roberto Marchesini, Eleonora Adorni - INTRODUCTION: Posthumanism in Literature and Ecocriticism, Serenella Iovino - STUDIES AND RESEARCH CONTRIBUTIONS: From Posthumanism to Posthuman Ecocriticim, Serpil Oppermann - Threatening Animals?, Heather I. Sullivan - The Posthuman that Could Have Been: Mary Shelley's Creature, Margarita Carretero González - Gadda's Pasticciaccio and the Knotted Posthuman Household, Deborah Amberson, Elena Past - Posthuman Spaces of Relation: Literary Responses to the Species Boundary in Primate Literature, Diana Villanueva Romero - COMMENTS, DEBATES, REPORTS AND INTERVIEWS: Can the Humanities Become Post-human? Interview with Rosi Braidotti ,Cosetta Veronese - REVIEWS

Dialogo Ergo Sum: from a Reflexive Ontology to a Relational Ontology, R. Marchesini - The Party of the Anthropocene: Post-humanism, Environmentalism and the Post-anthropocentric Paradigm Shift, F. Ferrando - From Anthropocentrism to Post-humanism in the Educational Debate, A. Ferrante e D. Sartori - Senseless Distributions: Posthumanist Antidotes to the Mass Hermit, D. Sisto - The Post-human Sound: an Interview with Michelangelo Frammartino, A. Lanfranchi - Against Animal Rights? A Comment on Contro i diritti degli animali? Proposta per un antispecismo postumanista (Against Animal Right? A Proposal to a Post-human Antispeciesism), by R. Marchesini, A.G. Biuso - Posthuman Glasses for Nomadic Subjectivities: a Comment on Il postumanesimo filosofico e le sue alterità (Philosophical Posthumanism and Its Others), by F. Ferrando, A. Balzano - Reviews: LNRZ, Golem (2014); LNRZ, Astrogamma (2015), V. Gamberi - Alessandro Ferrante, Pedagogia e orizzonte post-umanista (2014), C. Palmieri - Davide Sisto, Narrare la morte. Dal romanticismo al post-umano (2013), C. Rebuffo - Wajdi Mouawad, Anima (2015), D. Zagaria - Her (2013), film directed by Spike Jonze, A. Lanfranchi e G. Ravanelli.

Emphasizing sustainability, balance, and the natural, green dominates our thinking about ecology like no other color. What about the catastrophic, the disruptive, the inaccessible, and the excessive? What of the ocean’s turbulence, the fecundity of excrement, the solitude of an iceberg, multihued contaminations? Prismatic Ecology moves beyond the accustomed green readings of ecotheory and maps a colorful world of ecological possibility. In a series of linked essays that span place, time, and discipline, Jeffrey Jerome Cohen brings together writers who illustrate the vibrant worlds formed by colors. Organized by the structure of a prism, each chapter explores the coming into existence of nonanthropocentric ecologies. “Red” engages sites of animal violence, apocalyptic emergence, and activism; “Maroon” follows the aurora borealis to the far North and beholds in its shimmering alternative modes of world composition; “Chartreuse” is a meditation on postsustainability and possibility within sublime excess; “Grey” is the color of the undead; “Ultraviolet” is a potentially lethal force that opens vistas beyond humanly known nature. Featuring established and emerging scholars from varying disciplines, this volume presents a collaborative imagining of what a more-than-green ecology offers. While highlighting critical approaches not yet common within ecotheory, the contributions remain diverse and cover a range of topics including materiality, the inhuman, and the agency of objects. By way of color, Cohen guides readers through a reflection of an essentially complex and disordered universe and demonstrates the spectrum as an unfinishable totality, always in excess of what a human perceives. Contributors: Stacy Alaimo, U of Texas at Arlington; Levi R. Bryant, Collin College; Lowell Duckert, West Virginia U; Graham Harman, American U in Cairo; Bernd Herzogenrath, Goethe U of Frankfurt; Serenella Iovino, U of Turin, Italy; Eileen A. Joy; Robert McRuer, George Washington U; Tobias Menely, Miami U; Steve Mentz, St. John’s U, New York City; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Serpil Oppermann, Hacettepe U, Ankara; Margaret Ronda, Rutgers U; Will Stockton, Clemson U; Allan Stoekl, Penn State U; Ben Woodard; Julian Yates, U of Delaware.

The Whitbread Prize–winning author of Oranges Are Not the Only Fruit delivers a novel that “transports us to something like the future of our own planet” (The Washington Post Book World). On the airwaves, all the talk is of the new blue planet—pristine and habitable, like our own was sixty-five million years ago, before we took it to the edge of destruction. Off the air, Billie Crusoe and the renegade Robo sapien Spike are falling in love. Along with Captain Handsome and Pink, they’re assigned to colonize the new blue planet. But when a technical maneuver intended to make it inhabitable backfires, Billie and Spike’s flight to the future becomes a surprising return to the distant past—“Everything is imprinted forever with what it once was.” What will happen when their story combines with the world’s story? Will they—and we—ever find a safe landing place? Playful, passionate, polemical, and frequently very funny, The Stone Gods will change forever the stories we tell about the earth, about love, and about stories themselves. “Scary, beautiful, witty and wistful by turns, dipping into the known past as it explores potential futures.” —The New York Times Book Review “[A book] that you don’t so much read as drink in, refuse to put down, cast inside of like a hunting dog, seeking against all odds the insight that will illuminate everything, a true answer to the fix we’re in.” —Los Angeles Times “A vivid, cautionary tale—or, more precisely, a keen lament for our irremediably incautious species.” —Ursula K. Le Guin, bestselling author of Changing Planes

In this work Tim Ingold offers a persuasive new approach to understanding how human beings perceive their surroundings. He argues that what we are used to calling cultural variation consists, in the first place, of variations in skill. Neither innate nor acquired, skills are grown, incorporated into the human organism through practice and training in an environment. They are thus as much biological as cultural. To account for the generation of skills we have therefore to understand the dynamics of development. And this in turn calls for an ecological approach that situates practitioners in the context of an active engagement with the constituents of their surroundings. The twenty-three essays comprising this book focus in turn on the procurement of livelihood, on what it means to ‘dwell’, and on the nature of skill, weaving together approaches from social anthropology, ecological psychology, developmental biology and phenomenology in a way that has never been attempted before. The book is set to revolutionise the way we think about what is ‘biological’ and ‘cultural’ in humans, about evolution and history, and indeed about what it means for human beings – at once organisms and persons – to inhabit an environment. The Perception of the Environment will be essential reading not only for anthropologists but also for biologists, psychologists, archaeologists, geographers and philosophers. This edition includes a new Preface by the author.