Despite increasing scholarship on the cultural Cold War, focus has been persistently been fixed on superpowers and their actions, missing the important role played by individuals and organizations all over Europe during the Cold War years. This volume focuses on cultural diplomacy and artistic interaction between Eastern and Western Europe after 1945. It aims at providing an essentially European point of view on the cultural Cold War, providing fresh insight into little known connections and cooperation in different artistic fields. Chapters of the volume address photography and architecture, popular as well as classical music, theatre and film, and fine arts. By examining different actors ranging from individuals to organizations such as universities, the volume brings new perspective on the mechanisms and workings of the cultural Cold War. Finally, the volume estimates the pertinence of the Cold War and its influence in post-1991 world. The volume offers an overview on the role culture played in international politics, as well as its role in the Cold War more generally, through interesting examples and case studies.

Mikael Nilsson offers a detailed and groundbreaking analysis of how the United States Information Agency (USIA) conducted its wide-ranging propaganda campaign in Sweden during the Cold War, 1952–1969. The USIA placed propaganda in the Swedish press, radio, and television as well as schools and universities and established connections to labour leaders, government officials, and journalists. The book also details how the U.S. military financed research at Swedish universities. Nilsson shows how Swedish journalists, scientists, and government officials assisted the USIA in its propaganda efforts --- i.e., co-produced U.S. hegemony in Sweden. The book highlights both the width and the limits of USIA’s propaganda and also relates this theme to Swedish security policy and the secret military cooperation between Sweden and the United States.

This volume brings together a leading group of scholars to offer a new perspective on the history of conflicts and trade, focusing on the role of small and medium, or "weak", and often neutral states. Existing historiography has often downplayed the importance of such states in world trade, during armed conflicts, and as important agents in the expanding trade and global connections of the last 250 years. The country studies demonstrate that these states played a much bigger role in world and bilateral trade than has previously been assumed, and that this role was augmented by the emergence of truly global conflicts and total war. In addition to careful country or comparative studies, this book provides new data on trade and shipping during wars and examines the impact of this trade on the individual states’ economies. It spans the period from the late 18th century to the First and Second World Wars and the Cold War of the 20th century, a crucial period of change in the concept and practice of neutrality and trade, as well as periods of transition in the nature and technology of warfare. This book will be of great interest to scholars of economic history, comparative history, international relations, and political science.

This open access book explores the organization and evolution of Finlands Cold War cultural diplomacy (1945-1975) as the basis for a reflection on the countrys foreign relations, the link between culture and politics, small states autonomy during the Cold War, and the porosity of the East-West divide. The book offers a historical survey of the development of Finlands cultural diplomacy as part of the Finnish states foreign activities. In its empirical parts, it focuses on archives drawn from the Finnish Ministry of Foreign Affairs and the Ministry of Education in order to explain Finlands cultural diplomacy as the result of the countrys foreign policy orientations, interactions between domestic and foreign policy, and the expansion of state activities in the artistic, educational, and cultural sectors. Various reflections and reports on foreign cultural relations highlight the role of identity concerns, cultural relations, geopolitics and economic imperatives in the development of a specifically Finnish cultural diplomacy. Furthermore, the book focuses on specific aspects and events, considering for instance the organization and evolutions of Finlands cultural relations with the USSR, the role of cultural treaties, academic exchanges and scientific cooperation, "cultural exports" and the marketization of culture, overlaps between cultural relations and high politics. Louis Clerc is Professor in Contemporary History in the Department of Contemporary History, Philosophy and Political Science at the University of Turku, Finland. His current research projects deal with the history of public and cultural diplomacy and the study of diplomatic relations.

In retrospect, historical change often appears to be both logical and inevitable. Yet, as a process, as a series of moments, it is by nature open-ended. The protagonists are unaware of the potential consequences of their choices, as well as the meaning of their actions in the greater scheme of things. An individual, in real time and in the middle of events, has little scope for understanding the whole. The dynamic of a regime change involves a journey away from a particular past towards a chosen future, while the practices of the old regime are called into question. The competing visions for a better future often include a reactionary option, looking back towards an older period, perceived as a golden age waiting to be restored. In the aftermath of a regime change the new cadres, seeking to consolidate their power, form the new conservative bloc of the society. When revolutionary forces again begin to gather, the regime disintegrates, and the cycle begins again. So far, regime changes have been analysed as unique, one-off events. This book traces what such processes, regardless of their ideological colour, have in common. How does political power change hands? What are the mental and material tools of change? From the last stages of World War I to the present Crimean crisis, the case studies in this book offer timeless insights for understanding ideological and military conflicts, including the undercurrents of the present Russo-Western relations.

In Defending Democracy in Cold War Finland, Marek Fields offers a thorough account on the various informational and cultural strategies Britain and the United States used during the early Cold War decades in order to increase their influence and contain communism in Finland. The book shows that by using propaganda and cultural diplomacy in an exceptionally challenging environment, the two Western powers were able to achieve their main objectives in the region, i.e. to defend democracy and strengthen Finland’s attachment to the West, surprisingly well. Making use of a large variety of British, American and Finnish archives, Fields proves that the Western countries’ interest in Finland during the Cold War was stronger than it has previously been realised.

This work contains papers presented at a conference held in March 1988. It chronicles the efforts of four countries - Austria, Finland, Hungary and Yugoslavia - to develop economic ties with both the East and the West. Topics covered include the evolution of dual economic ties.