While Israel has seemingly been a minor presence in Hollywood cinema, Reimagining the Promised Land argues that there is a long history of Hollywood deploying images of Israel as a means of articulating an idealized notion of American national identity. This argument is developed through readings of The Ten Commandments (Cecil B. DeMille, 1956), Ben-Hur: A Tale of the Christ (William Wyler, 1959), Exodus (Otto Preminger, 1960), Cast a Giant Shadow (Melville Shavelson, 1966), Black Sunday (John Frankenheimer, 1977), The Delta Force (Menahem Golan, 1986), and Munich (Steven Spielberg, 2005). The mobilization of Israel that pervades this eclectic group of films effectively demonstrates one of the more surreptitious ways in which Hollywood has historically constructed and circulated dominant notions of American national identity. Moreover, in examining the most notable Hollywood representations of the Jewish state, the book offers an informed historical overview of the cultural forces that have contributed to popular understandings within the United States of the state of Israel, Israel's Arab neighbours, and also the Arab-Israeli conflict.

"A searching memoir . . . A subtle, expertly written repudiation of the American dream in favor of something more inclusive and more realistic."—Kirkus, starred review There are many Pedros living in many Americas . . . One Pedro goes to a school where they take away his language. Another disappears in the desert, leaving behind only a backpack. A cousin Pedro comes to visit, awakening feelings that others are afraid to make plain. A rumored Pedro goes missing so completely it's as if he were never there. In Pedro's Theory Marcos Gonsalez explores the lives of these many Pedros, real and imagined. Several are the author himself, while others are strangers, lovers, archetypes, and the men he might have been in other circumstances. All are journeying to some sort of Promised Land, or hoping to discover an America of their own. With sparkling prose and cutting insights, this brilliant literary debut closes the gap between who the world sees in us and who we see in ourselves. Deeply personal yet inspiringly political, it also brings to life those selves that never get the chance to be seen at all.

In this New Studies in Biblical Theology volume, Oren Martin demonstrates how, within the redemptive-historical framework of God's unfolding plan, the land promise to Israel advances the place of the kingdom that was lost in Eden, anticipating the even greater land, prepared for all of God's people, that will result from the person and work of Christ.

"In this stimulating study, Oren Martin demonstrates how, within the redemptive-historical framework of God's unfolding plan, the land promise advances the place of the kingdom that was lost in Eden, and serves as a type throughout Israel's history, anticipating the even greater land, prepared for all of God's people, that will result from the person and work of Christ--and will be enjoyed in the new creation for eternity."--Back cover.

Traces the evolution and eclipse of the biblical mythology of the Promised Land, the foundational story of Western Culture, and brings into focus the template of the Western imagination and its faith-based market economy. From the first recorded versions of "the promise" saga in ancient Babylon, to the Zapatistas' rejection of promises never kept, Noble explores the connections between Judeo-Christian belief and corporate globalization. - from publisher information

In this seventh workbook, groups explore the what it means to tear down our obstacles. It includes conversations and exercises on stepping into His kingdom, the liminal space, signs and symbols, religion, justice and mercy, and more.It include leadership instructions, reflection questions, teachings, group discussion questions, exercises, assignments, and suggested materials to use during the quarter.