This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.

This book draws on architectural and archaeological analysis to consider the form, function, use and meaning of late medieval lodging ranges. While we know a great deal about most elements of the late medieval great house, we understand very little about their lodging ranges, and even less on their contributions to the lived experience of the household and wider society. Why were lodging ranges built, for example, and how were they used? It is this gap in our knowledge which the present book aims to fill. It draws on archaeological and architectural analysis of lodging ranges to show that they were some of the finest living spaces within the great house, built as accommodation for high-ranking members of the household. Their low-, even single-, occupancy rooms, accessible via individual doors, were innovatory, showing how the idea of privacy developed. The explicit displays of uniformity upon the lodging ranges' symmetrical facades were juxtaposed with variations within. Surviving lodging ranges (including Wingfield Manor, Middleham Castle and Dartington Hall) are examined, alongside the lost example of Caister Castle, demonstrating how lodging ranges simultaneously reflected and shaped medieval life; the author argues that their very form and stones, and their manipulation of space, enabled them to have multi-faceted functions, including the representation of multiple and even conflicting identities.

This book illuminates ways in which Jerusalem was represented in Western Europe during the Middle Ages, c. 700-1500. Focusing on maps and plans in manuscripts and early printed books, it also considers views and architectural replicas, and treats depictions of the Temple and the Church of the Holy Sepulchre alongside those of the city as a whole.

Essays exploring the influence of the sacred buildings of Jerusalem on architecture worldwide.

In documenting the increasing emphasis on studying the earthly proliferations of the city, this book witnesses a shift in theoretical and methodological insights since the publication of 'The Real and Ideal Jerusalem in Jewish, Christian, and Islamic Art' in 1998. Its main focus is on European translations of Jerusalem in images, objects, places, and spaces that evoke the city through some physical similarity or by denomination and cult - all visual and material aids to commemoration and worship from afar. The book discusses both well-known and long-neglected examples, the forms of cult they generate and the virtual pilgrimages they serve, and calls attention to their written and visual equivalents and companions.

"In the absence of the bodies of Christ and Mary, architecture took on a special representational role during the Christian Middle Ages, marking out sites associated with the bodily presence of the dominant figures of the religion. Throughout this period, buildings were reinterpreted in relation to the mediating role of textual and pictorial representations that shaped the pilgrimage experience across expansive geographies. In this study, Kathryn Blair Moore challenges fundamental ideas within architectural history regarding the origins and significance of European recreations of buildings in Jerusalem, Bethlehem, and Nazareth. From these conceptual foundations, she traces and re-interprets the significance of the architecture of the Holy Land within changing religious and political contexts, from the First Crusade and the emergence of the Franciscan Custody of the Holy Land to the anti-Islamic crusade movements of the Renaissance, as well as the Reformation." -- Publisher's description.