Reimagining Dinosaurs argues that transatlantic popular literature was critical for transforming the dinosaur into a cultural icon between 1880 and 1920

“Vivid with a Mesozoic bestiary” (Tom Holland), this on-the-ground, page-turning narrative weaves together the chance discovery of dinosaurs and the rise of the secular age. When the twelve-year-old daughter of a British carpenter pulled some strange-looking bones from the country’s southern shoreline in 1811, few people dared to question that the Bible told the accurate history of the world. But Mary Anning had in fact discovered the “first” ichthyosaur, and over the next seventy-five years—as the science of paleontology developed, as Charles Darwin posited radical new theories of evolutionary biology, and as scholars began to identify the internal inconsistencies of the Scriptures—everything changed. Beginning with the archbishop who dated the creation of the world to 6 p.m. on October 22, 4004 BC, and told through the lives of the nineteenth-century men and women who found and argued about these seemingly impossible, history-rewriting fossils, Impossible Monsters reveals the central role of dinosaurs and their discovery in toppling traditional religious authority, and in changing perceptions about the Bible, history, and mankind’s place in the world.

Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.

Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.

Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.

Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.

A vivid account of the alternative, emancipatory Germany that progressive British women writers discovered and wrote about, 1833-1910.