Religion is often seen as a conservative force in contemporary Africa. In particular, Christian beliefs and actors are usually depicted as driving the opposition to homosexuality and LGBTI rights in African societies. This book nuances that picture, by drawing attention to discourses emerging in Africa itself that engage with religion, specifically Christianity, in progressive and innovative ways--in support of sexual diversity and the quest for justice for LGBTI people. The authors show not only that African Christian traditions harbor strong potential for countering conservative anti-LGBTI dynamics; but also that this potential has already begun to be realized, by various thinkers, activists and movements across the continent. Their ten case studies document how leading African writers are reimagining Christian thought; how several Christian-inspired groups are transforming religious practice; and how African cultural production creatively appropriates Christian beliefs and symbols. In short, the book explores Christianity as a major resource for a liberating imagination and politics of sexuality and social justice in Africa today. Foregrounding African agency and progressive religious thought, this highly original intervention counterbalances our knowledge of secular approaches to LGBTI rights in Africa, and powerfully decolonizes queer theory, theology and politics.

Religion is often seen as a conservative force in contemporary Africa. In particular, Christian beliefs and actors are usually depicted as driving the opposition to homosexuality and LGBTI rights in African societies. This book nuances that picture, by drawing attention to discourses emerging in Africa itself that engage with religion, specifically Christianity, in progressive and innovative ways--in support of sexual diversity and the quest for justice for LGBTI people. The authors show not only that African Christian traditions harbour strong potential for countering conservative anti-LGBTI dynamics; but also that this potential has already begun to be realised, by various thinkers, activists and movements across the continent. Their ten case studies document how leading African writers are reimagining Christian thought; how several Christian-inspired groups are transforming religious practice; and how African cultural production creatively appropriates Christian beliefs and symbols. In short, the book explores Christianity as a major resource for a liberating imagination and politics of sexuality and social justice in Africa today. Foregrounding African agency and progressive religious thought, this highly original intervention counterbalances our knowledge of secular approaches to LGBTI rights in Africa, and powerfully decolonises queer theory, theology and politics.

Religion is often seen as a conservative and retrogressive force in contemporary Africa. In particular, Christian beliefs and actors are usually depicted as driving the opposition to homosexuality and LGBTI rights in African societies. This book nuances that picture, by drawing attention to discourses emerging in Africa itself that engage with religion, specifically Christianity, in progressive and innovative ways--in support of sexual diversity and the quest for justice for LGBTI people. The authors show not only that African Christian traditions harbour strong potential for countering conservative anti-LGBTI dynamics; but also that this potential has already begun to be realized, by various thinkers, activists, creative artists and movements across the continent. Their ten case studies document how leading African writers are reimagining Christian thought; how several Christian-inspired groups are transforming religious practice; and how African cultural production creatively appropriates Christian beliefs and symbols to affirm the dignity and rights of LGBTI people. In short, the book explores Christianity as a major resource for a liberating imagination and politics of sexuality and social justice in Africa today. Foregrounding African agency and progressive religious thought, this highly original intervention counterbalances our knowledge of secular approaches to LGBTI rights in Africa, and powerfully decolonizes queer theory, theology and politics.

Popular narratives cite religion as the driving force behind homophobia in Africa, portraying Christianity and LGBT expression as incompatible. Without denying Christianity’s contribution to the stigma, discrimination, and exclusion of same-sex-attracted and gender-variant people on the continent, Adriaan van Klinken presents an alternative narrative, foregrounding the ways in which religion also appears as a critical site of LGBT activism. Taking up the notion of “arts of resistance,” Kenyan, Christian, Queer presents four case studies of grassroots LGBT activism through artistic and creative expressions—including the literary and cultural work of Binyavanga Wainaina, the “Same Love” music video produced by gay gospel musician George Barasa, the Stories of Our Lives anthology project, and the LGBT-affirming Cosmopolitan Affirming Church. Through these case studies, Van Klinken demonstrates how Kenyan traditions, black African identities, and Christian beliefs and practices are being navigated, appropriated, and transformed in order to allow for queer Kenyan Christian imaginations. Transdisciplinary in scope and poignantly intimate in tone, Kenyan, Christian, Queer opens up critical avenues for rethinking the nature and future of the relationship between Christianity and queer activism in Kenya and elsewhere in Africa.

Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.

The book discusses the idea of African identity in the twenty-first century, calling into question and deconstructing any understanding and representation of the idea of African identity as being based exclusively on the notion of ‘Blackness’, or the Black race. In countering such an idea of African identity as a flawed notion, the text propounds the idea of intermediality as a new modality of thinking about the importance of embracing the primacy of tolerance for the difference of identity. The notion of intermediality promotes the need for people of all races across the African continent to embrace the idea of difference as the defining feature of African identity so that the geographical locality called Africa is seen as a vibrant, open, and cosmopolitan continent which is accessible to people of all races and identities.

Granada is a deceptive city, concealing a layered past and a complex character. The last Muslim capital in Western Europe, over the centuries it has captured hearts and imaginations, inspiring countless myths and legends. Yet its history reveals even more fascinating tales: secrets and follies, victory and failure, poetry and art. City of Illusions brings together Granada's many stories--the archaeological forger, the renegade French general, the garrotted liberal heroine, the Jewish poet who served two Muslim rulers. This colourful cast of characters takes us from the founding eleventh-century dynasty and the building of the Alhambra, through the Reconquista, French occupation and Spanish Civil War, right up to the present day. Granada's history has long been fought over, rewritten, idealised or buried. This rich, elegant book sets the record straight on a beautiful, elusive city, with all its quirks, mysteries, intrigues and triumphs.