This work examines the production and performance of theatrical activities aimed at bringing about social change in both development and political intervention in Nepal. If everyday social problems can be both represented and challenged through drama-based performances, then what differentiates street theatre performed in planned developments from street theatre performed within social and political movements? This multi-sited ethnography attempts to answer this question by following the works of Aarohan Theatre - a Kathmandu-based professional company, performing both loktantrik natak (theatre for democracy) in the context of the 2005–06 popular movement, and kachahari natak (forum theatre) for development projects. The analysis then extends to the forum theatre produced by one of Aarohan's partner groups, the Kamlari Natak Samuha - a Tharu grassroots activist organization based in Deukhuri Valley (West Nepal) campaigning against indentured child labour.

Amid the overlapping crises of a pandemic, ecological disaster, and global capitalism, two leading Black and Indigenous feminist theorists ask one another: what do liberated lands, minds, and bodies look like? These letters are part debate, part dialogue, and part lively and detailed familial correspondence between two razor-sharp thinkers, sending notes to each other during a stormy present. Featuring a foreword by Ruth Wilson Gilmore and an afterword by Robin D.G. Kelley.

(Meredith Music Resource). In this highly informative compendium, nationally renowned orchestra directors share their unique expertise concerning rehearsal philosophy, intonation, tone and bow control, setup and fundamentals, articulation, planning, warm-ups, recruiting, community building, and more. These educators have honed their skills through years of experience and have inspired countless young musicians. Each chapter presents their insights and individual approaches to developing musical excellence in their students. As an added benefit, the book includes lists of the authors' favorite composers, arrangers, and works for grades 1-4.

The stage is set for disaster -- and Nancy's in the spotlight! Bess has landed a small part in a promising new Chicago play, and she's seeing stars for the hot young featured actor, Jordan McCabe. Nancy, however, sees only trouble. The play is a mystery, the theme is murder, and it soon becomes apparent that Nancy and Bess may both have starring roles in a deadly real-life drama. A mysterious fire backstage, a prop gun loaded with real bullets, and an anonymous threat on Bess's life put Nancy on notice that danger is waiting in the wings. Nancy's investigation turns up a whole cast of suspects...one of whom is determined to turn the final act into a major tragedy!

The sensational first novel from the Booker Prize-winning author of The Luminaries. Set in the aftermath of a sex scandal at an all-girls’ high school, Eleanor Catton’s internationally acclaimed award-winning debut is a provocative and darkly funny novel about the elusiveness of truth, the slipperiness of identity, and the emotional compromises we make to belong. When news spreads of a high school teacher’s relationship with one of his students, the teenage girls at Abbey Grange are jolted into a new awareness of their own potency and power. Although no one knows the whole truth, the girls have their own ideas about what happened. As they obsessively examine the details of the affair with the curiosity and jealousy native to any adolescent girl, they confide in their saxophone teacher, an enigmatic woman who is only too happy to play both confidante and stage manager to her students. But when the local drama school decides to turn the scandal into a play, the boundaries between fact and fantasy soon break down as dramas both real and imagined begin to unfold. Sharply observed, brilliantly crafted, and infused with a deliciously subversive wit, The Rehearsal is at once a vibrant portrait of teenage longing and adult regret, and a shrewd exposé of how we are all performers in life, from one of the most bold and exciting voices in contemporary fiction.

In lively and entertaining prose and verse Max Roytenberg offers his perspective on life and its events in Rehearsing How to Live: Reaching Out to Life. He draws conclusions on living and loving, the order of our priorities, parents and children, wives and families, life and death, and aging and dying. He discusses the rapid pace of the changing society around us, along with the challenges of technology and changing demographics. He asks questions and shares his answershow have we dealt with these elements of life, what have we done right, what have we done wrong, what might we have done, and what might we yet do? Roytenberg believes that life is a rehearsal every day for how we may face our tomorrows better prepared. These poems have been written over a period of more than fifty years and focus on the benefits of hindsight, second guessing, and maybe a few lies about what really happened. Can We See? Skitter-scatter, wind-swept droplets beat staccato rhythms on our glassy apertures shattering into filigree the apparitions that dance so visibly in the light of rainless day. Looking back at our histories, our views clouded by the torrents of emotion, silvering shadows gilding the realities, we shield the constructs that protect our private images of the past. Do we ever truly see our histories clearly in the light?

Peter Schumann and his Bread & Puppet Theater are likely the most important, and surely the longest-lasting, contributors to modern American theater history. Since the early sixties Schumann and his puppeteers have been pouring out work after work on every scale: political works, mysterious works, grand works, modest works, works on the street and works in fields, works to be played in every size theater on four continents, books, prints, posters, and banners which live as show-and-tell in so many homes. Now Ron Simon and Marc Estrin, a remarkable photographer, and a long-time puppeteer, who have each in his own way contributed to the shows, recorded events, and reflected on them. Out of their experiences they have createdRehearsing with Gods: Photographs and Essays on the Bread & Puppet Theater. Far more than history or documentation, they identify eight archetypes engaged repeatedly by Peter Schumann and his crew. Their book consists of parallel meditations—the texts not commenting on the photos, the photos not illustrating the texts—unified and intertwined by the chapter themes of Death, Fiend, Beast, Human, World, Gift, Bread, and Hope. Altogether, it's a collaboration that reflects their sixty-odd man-years of personal experience in, hidden narratives of, and speculative reflections on Peter Schumann's projects, ever-more relevant to our times. This is a book that will engage both fans and newcomers—an inside-view of Peter Schumann's political-artistic world.