When Nole Darlen kills his father—the man who has built the largest house anyone in these East Tennessee hills has ever seen—the single resounding gunshot sets up a dark patchwork of memory and expectation that gathers-up townspeople, hill-folks, lovers and outlaws. Here is a tangled tale involving the dead man’s wife, neighbor Burlton Hobbes, desperado Jem Craishot, and a grizzled muskrat-trapper named Hogeye. Central to the story is a pistol that Nole Darlen has taken from a card game the night before the murder. The pistol becomes a totem to Nole, an embodiment of the frustrations and failures that have dogged his life. He envies and fears the outlaw, Jem Craishot, wishing he, too, could be “fearsome,” but descends, instead, into cowardice and betrayal. Eventually, the gun becomes a central element of the novel’s twisted story, a talisman of murder, and a key to the book’s shocking ending. Richard Hood brings to bear his deep roots in rural East Tennessee. The plots and subplots of Regret the Dark Hour are based on true stories. The house still exists, the patricide really happened, the outlaw—Jem Craishot—is based upon the legendary Kinny Wagner, whose exploits derive from this time and region. The novel’s social and cultural backgrounds are accurate, and call-up the rich heritage of East Tennessee. The novel has been called “Southern Gothic Noir,” and Hood describes it as an “anti-mystery.” There is never any doubt about who killed Carl Darlen, but the story turns and weaves through the day of the murder and ends with a startling, dark, surprise. Here is a story of family violence—its simmering causes and smoldering consequences—set against the clashing tensions of old-and-new, fiddle-tunes and factories, among the hills and coves of prohibition-era East Tennessee. Praise for REGRET THE DARK HOUR: “Richard Hood’s Regret the Dark Hour is a search for Regional Truth and the ways memory, representation, and history intertwine to produce stories, interpretation, and character. This novel is a triumph—giving us the sound and flavor of prohibition-era East Tennessee, in a mix of voice, perception, and blindness embedded within the darkly tangled story of a family murder.” —Shelby Stephenson, Poet Laureate of North Carolina and author of Paul’s Hill: Homage to Whitman; Our World and Nin’s Poem “Regret the Dark Hour calls up a story of betrayal, forbidden love, and familial violence in prohibition-era Appalachia. Hood’s stunning and lyrical writing vividly captures the world of this forgotten time period. A beautiful debut and wonderful addition to southern noir.” —Jen Conley, author of Seven Ways to Get Rid of Harry

The first major biography of the Carter family, musical pioneers who almost singlehandedly established the sounds and traditions that grew into folk, country, and bluegrass music.

Matricide. Patricide. Infanticide. Athaliah would do anything to take the throne, just as Jehoshebeth would do anything to protect it.

"The hour before the dawn is the darkest” goes a popular saying, but is it actually the dawn we were waiting for? Or is it the dark hour before the apocalypse of human hopes? This edition brings to you the dystopian novels and novellas that will make you wonder even more - some you are familiar with and some new surprises! So come and dwell in the shadows of this dark, dark hour and see the ruthless power of totalitarian super states: Anthem (Ayn Rand) Iron Heel (Jack London) Meccania the Super-State (Owen Gregory) Lord of the World (Hugh Benson) When The Sleeper Wakes (H. G. Wells) The Time Machine (H. G. Wells) The First Men in the Moon (H. G. Wells) Caesar's Column (Ignatius Donnelly) The Secret of the League (Ernest Bramah) City of Endless Night (Milo Hastings) Looking Further Backward (Arthur Dudley Vinton) The Heads of Cerberus (Francis Stevens) The Fixed Period (Anthony Trollope) The Machine Stops (E. M. Forster) The Night of the Long Knives (Fritz Leiber) Perchance to Dream (Richard Stockham) The Guardians (Irving E. Cox) Erewhon (Samuel Butler)

Following the U.S. Congress’s attempts to defund Planned Parenthood, the hashtag #ShoutYourAbortion became a viral conduit for abortion storytelling, receiving extensive media coverage and positioning real human experiences at the center of America’s abortion debate for the very first time. The online momentum sparked a grassroots movement that has subsequently inspired countless individuals to share their abortion stories in art, media, and community events all over the country, and to begin building platforms for others to do the same. Shout Your Abortion is a collection of photos, essays, and creative work inspired by the movement of the same name, a template for building new communities of healing, and a call to action. Since SYA’s inception, people all over the country have shared stories and begun organizing in a range of ways: making art, hosting comedy shows, creating abortion-positive clothing, altering billboards, starting conversations that had never happened before. This book documents some of these projects and illuminates the individuals who have breathed life into this movement, illustrating the profound liberatory and political power of defying shame and claiming sole authorship of our experiences. With Roe vs. Wade on the brink of reversal, the act of shouting one’s abortion has become explicitly radical, and Shout Your Abortion is needed more urgently than ever before.