The 2,000-mile-long international boundary between the United States and Mexico gives shape to a unique social, economic, and cultural entity. David E. Lorey here offers the first comprehensive treatment of the fascinating evolution of the region over the past century. Exploring the evolution of a distinct border society, Lorey traces broad themes in the region's history, including geographical constraints, boom-and-bust cycles, and outside influences. He also examines the seminal twentieth-century events that have shaped life in the area, such as Prohibition, World War II, and economic globalization. Bringing the analysis up to the present, the book considers such divisive issues as the distinction between legal and illegal migration, trends in transboundary migrant flows, and North American free trade. Informative and accessible, this valuable study is ideal for courses on the U.S.-Mexico borderlands, Chicano studies, Mexican history, and Mexican-American history.

Among the lasting legacies of the Chicano Movement is the cultural flowering that it inspired--one that has steadily grown from the 1960s to the present. It encompassed all of the arts and continues to earn acclaim both nationally and internationally. Although this Chicano artistic renaissance received extensive scholarly attention in its initial phase, the post-Movimiento years after the late 1970s have been largely overlooked. This book meets that need, demonstrating that, despite the changes that have taken place in all areas of Chicana/o arts, a commitment to community revitalization continues to underlie artistic expression. This collection examines changes across a broad range of cultural forms--art, literature, music, cinema and television, radio, and theater--with an emphasis on the last two decades. Original articles by both established and emerging scholars review such subjects as the growth of Tejano music and the rise of Selena, how films and television have affected the Chicana/o experience, the evolution of Chicana/o art over the last twenty years, and postmodern literary trends. In all of the essays, the contributors emphasize that, contrary to the popular notion that Chicanas/os have succumbed to a victim mentality, they continue to actively struggle to shape the conditions of their lives and to influence the direction of American society through their arts and social struggle. Despite decades usually associated with self-interest in the larger society, the spirit of commitment and empowerment has continued to infuse Chicana/o cultural expression and points toward a vibrant future. CONTENTS All Over the Map: La Onda Tejana and the Making of Selena, Roberto R. Calderón Outside Inside-The Immigrant Workers: Creating Popular Myths, Cultural Expressions, and Personal Politics in Borderlands Southern California, Juan Gómez-Quiñones "Yo soy chicano": The Turbulent and Heroic Life of Chicanas/os in Cinema and Television, David R. Maciel and Susan Racho The Politics of Chicano Representation in the Media, Virginia Escalante Chicana/o and Latina/o Gazing: Audiences of the Mass Media, Diana I. Ríos An Historical Overview/Update on the State of Chicano Art, George Vargas Contemporary Chicano Theater, Arturo Ramírez Breaking the Silence: Developments in the Publication and Politics of Chicana Creative Writing, 1973-1998, Edwina Barvosa-Carter Trends and Themes in Chicana/o Writings in Postmodern Times, Francisco A. Lomelí, Teresa Márquez, and María Herrera-Sobek

Looks at life on the Mexican border, including the ethnicity, attitudes, and place of residence of those who live there, and how they interact with other residents

Offers an illustrated study that asks how the art produced about the U.S.-Mexico border reflects political and economic transformations occurring world-wide.

“U.S. residents are largely unaware that Mexicans also view their northern border with concern, and at times even alarm. Border communities, such as Ciudad Juárez and Tijuana, have long been subjected to heavy criticism from Mexico City and other interior areas for their close ties to the United States, a country viewed with apprehension and suspicion by the Mexican citizenry.” Oscar Martínez’s words may come as a surprise to those who associate the U.S. southern border with banditry, racial strife, illegal migration, drug smuggling, and official corruption—all attributed to Mexico. In Troublesome Border, now revised to reflect the dramatic changes over the last two decades, a distinguished scholar and long-time resident of the border area addresses these and other problems that have caused increasing concern to federal governments on both sides of the border. This second edition of Troublesome Border has been updated and revised to cover dramatic developments since the book’s first publication in 1988 that have once again transformed the region in fundamental ways. Martinez includes new information on migration and drugs, including the extraordinary rise of violence traced largely to the rampant illegal drug trade; the devastating effects of U.S. Border Patrol “blockades” that have resulted in thousands of deaths; and the impact of the North American Free Trade Agreement (NAFTA).

Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, featuring selections by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico.