Developing a framework to study "what makes a region," Amitav Acharya investigates the origins and evolution of Southeast Asian regionalism and international relations. He views the Association of Southeast Asian Nations (ASEAN) "from the bottom up" as not only a U.S.-inspired ally in the Cold War struggle against communism but also an organization that reflects indigenous traditions. Although Acharya deploys the notion of "imagined community" to examine the changes, especially since the Cold War, in the significance of ASEAN dealings for a regional identity, he insists that "imagination" is itself not a neutral but rather a culturally variable concept. The regional imagination in Southeast Asia imagines a community of nations different from NAFTA or NATO, the OAU, or the European Union. In this new edition of a book first published as The Quest for Identity in 2000, Acharya updates developments in the region through the first decade of the new century: the aftermath of the financial crisis of 1997, security affairs after September 2001, the long-term impact of the 2004 tsunami, and the substantial changes wrought by the rise of China as a regional and global actor. Acharya argues in this important book for the crucial importance of regionalism in a different part of the world.

How could liberalism and apartheid coexist for decades in our country, as they did during the first half of the twentieth century? This study looks at works by such writers as Thomas Dixon, Erskine Caldwell, Zora Neale Hurston, William Faulkner, and Ralph Ellison to show how representations of time in southern narrative first accommodated but finally elucidated the relationship between these two political philosophies. Although racial segregation was codified by U.S. law, says Leigh Anne Duck, nationalist discourse downplayed its significance everywhere but in the South, where apartheid was conceded as an immutable aspect of an anachronistic culture. As the nation modernized, the South served as a repository of the country's romantic notions: the region was represented as a close-knit, custom-bound place through which the nation could temper its ambivalence about the upheavals of progress. The Great Depression changed this. Amid economic anxiety and the international rise of fascism, writes Duck, "the trope of the backward South began to comprise an image of what the United States could become." As she moves from the Depression to the nascent years of the civil rights movement to the early cold war era, Duck explains how experimental writers in each of these periods challenged ideas of a monolithically archaic South through innovative representations of time. She situates their narratives amid broad concern regarding national modernization and governance, as manifest in cultural and political debates, sociological studies, and popular film. Although southern modernists' modes and methods varied along this trajectory, their purpose remained focused: to explore the mutually constitutive relationships between social forms considered "southern" and "national."

A quarter of a century before Lyndon B. Johnson popularized the slogan "The Great Society," Donald Davidson wrote his critique of Leviathan, the omnipotent nation-state, in terms that only recently have come to be appreciated. "Leviathan is the idea of the Great Society, organized under a single, complex, but strong and highly centralized national government, motivated ultimately by men's desire for economic welfare of a specific kind rather than their desire for personal liberty. " Originally published as The Attack on Leviathan, this eloquent volume is an attack on state centralism and an affirmation of regional identity. Davidson's work is a special sort of intellectual as well as social history. It reveals an extraordinary mastery of the literature on regionalism in the United States, with special emphasis on the work on Rupert Vance and Howard Odum in the social sciences. Davidson looks at regionalism in arts, literature, and education. He favors agriculture over industrialization, and "the hinterland" over cities, examining along the way varying historical memories, the dilemma of Southern liberals, and the choice of expedience or principles. His book is a forceful and commanding challenge to those who would push for central authority at the sacrifice of individual and regional identity. Davidson concludes with a devastating critique of nationalism leading to a supra-nationalism. Ultimately, the heterogeneity of human desires comes up against the uniformity of world systems and world states. Davidson offers instead a broad world of intellectual history and commentary in which individualism allies itself with communities as a means for stemming the tide of collectivism and its base in a world state. For Davidson, Leviathan, the monstrous state, is a devourer, not a savior. As several peoples rise to strike down their own Leviathans, this courageous book may be better understood now than it was in 1938. Donald Davidson was part of that movement in American letters known as the Southern Agrarians. He was a poet, critic, historian, and political analyst. He spent most of his life at Vanderbilt University, and was himself born in central Tennessee. He is best known as the author of The Tall Men (1927) and a collection of essays, Still Rebels, Still Yankees (1957).

Out of many, one—e pluribus unum—is the motto of the American nation, and it sums up neatly the paradox that Stephanie Foote so deftly identifies in Regional Fictions. Regionalism, the genre that ostensibly challenges or offers an alternative to nationalism, in fact characterizes and perhaps even defines the American sense of nationhood. In particular, Foote argues that the colorful local characters, dialects, and accents that marked regionalist novels and short stories of the late nineteenth century were key to the genre’s conversion of seemingly dangerous political differences—such as those posed by disaffected Midwestern farmers or recalcitrant foreign nationals—into appealing cultural differences. She asserts that many of the most treasured beliefs about the value of local identities still held in the United States today are traceable to the discourses of this regional fiction, and she illustrates her contentions with insightful examinations of the work of Sarah Orne Jewett, Hamlin Garland, Gertrude Atherton, George Washington Cable, Jacob Riis, and others. Broadening the definitions of regional writing and its imaginative territory, Regional Fictions moves beyond literary criticism to comment on the ideology of national, local, ethnic, and racial identity.

Northeast Asia stands at a turning point in its history. The key economies of China, Japan, and South Korea are growing increasingly interdependent, and the movement toward regionalism is gaining momentum. Yet interdependency, often set in a global context, also spurs nationalism in all three countries, and elsewhere in East Asia. Northeast Asia today feels the presence of all three complex forces--national, regional, and global--connecting, competing, and colliding in myriad ways. The authors of this book assess current interactions of national and regional forces in Northeast Asia, in the context of U.S. presence in the region. These seemingly contradictory forces must be considered together; the sparks they generate have important policy implications for the United States and for the region as a whole. Constructive reformulation of these interactions is one of Northeast Asia's most pressing contemporary challenges.

This book examines why regional identities are stronger in some regions than in others, and discusses the underlying causes of the mobilization of sub-state regions in Western Europe over the past fifty years.

Concentrating on three countries, Spain, France and the United Kingdom, and three regional case studies of Galicia, Brittany and Wales, this book offers an analysis of the development of political regionalism after regionalisation.