Swing Time: Reginald Marsh and Thirties New York is the first major assessment of the work of 'American Scene' artist Reginald Marsh (1898-1954) in 30 years. Focusing on 60 paintings, drawings, and prints, drawn from public and private collections across the U.S., along with a selection of his photographs and sketches, it puts Marsh's exuberant depictions of urban daily life within the context of the economic uncertainty of 1930s America and the work of fellow artists who shared his interest in the New York scene. This striking volume sets Marsh's fascinating work of the 1930s alongside paintings, prints, and photographs of contemporaries such as Isabel Bishop, Kenneth Hayes Miller, Yasuo Kuniyoshi, Walt Kuhn, Raphael and Isaac Soyer, Guy Pene du Bois, Bernice Abbott, Aaron Siskind, Walker Evans and Arthur Rothstein. Together, they tell a complex and highly contrasting visual story of New York City life in this tumultuous time of change. -- Book jacket.

Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.

In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.

Anatomy of the great masters (Michelangelo, Leonardo, Raphael, Rubens, Poussin, Dürer, Holbein, and others), is simplified, abstracted, adapted, and reinterpreted by the famous artist and instructor for the practicing artist and the student.

How much do you actually know about New York City? Did you know they tried to anchor Zeppelins at the top of the Empire State Building? Or that the high-rent district of Park Avenue was once so dangerous it was called "Death Avenue"? Lively and comprehensive, Inside the Apple brings to life New York's fascinating past. This narrative history of New York City is the first to offer practical walking tour know-how. Fast-paced but thorough, its bite-size chapters each focus on an event, person, or place of historical significance. Rich in anecdotes and illustrations, it whisks readers from colonial New Amsterdam through Manhattan's past, right up to post-9/11 New York. The book also works as a historical walking-tour guide, with 14 self-guided tours, maps, and step-by-step directions. Easy to carry with you as you explore the city, Inside the Apple allows you to visit the site of every story it tells. This energetic, wide-ranging, and often humorous book covers New York's most important historical moments, but is always anchored in the city of today.

Published on the occasion of an exhibition of the same name organized by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, and held there January 31-May 31, 2015; at the San Diego Museum of Art, Calif., July 11-October 13, 2015; at the Brooklyn Museum, N.Y., November 20, 2015-March 13, 2016; and at the McNay Art Museum, San Antonio, Tex., May 11-September 11, 2016.