H. H. Munro, better known as "Saki," was born in Burma, the son of an inspector-general for the Burmese police. Sent to England to be educated at the Bedford Grammar School, he returned to Burma in 1893 and joined the police force there. In 1896, he returned again to England and began writing first for The Westminster Gazette and then as a foreign correspondent for The Morning Post. Best known for his wry and amusing stories, Saki depicts a world of drawing rooms, garden parties, and exclusive club rooms. His short stories at their best are extraordinarily compact and cameolike, wicked and witty, with a careless cruelty and a powerful vein of supernatural fantasy. They deal, in general, with the same group of upper-class Britishers, whose frivolous lives are sometimes complicated by animals—the talking cat who reveals their treacheries in love, the pet ferret who is evil incarnate. The nom de plume "Saki" was borrowed from the cupbearer in Omar Khayyam's 'The Rubaiyat'. Munro used it for political sketches contributed to the Westminster Gazette as early as 1896, later collected as Alice in Westminster. The stories and novels were published between that time and the outbreak of World War I, when he enlisted as a private, scorning a commission. He died of wounds from a sniper's bullet while in a shell hole near Beaumont-Hamel. One of his characters summed up Saki's stories as those that "are true enough to be interesting and not true enough to be tiresome.

Here is a thorough critical re-examination of the Edwardian master of the darkly humorous short story, Saki (the pen name of Hector Hugh Munro, 1870-1916). Saki the satirist constantly rebelled against but depended upon the world of H.H. Munro, the gentleman bachelor. In reassessing the importance of post-Wilde sexuality, anti-suffragist feelings, and attitudes towards Jews and Slavs in Saki's oeuvre, it becomes clear that the fiction of Saki reflects a fervid imperial masculinity in Britain as World War I approached. The tension between rebellious sexual politics and pro-patriarchy, nationalist views in Saki's fiction reflects a time when the old, manly, bourgeois traditions of coming home from work to "the angel of the hearth" and defending King and Country abroad increasingly clashed with new sexual identities, women's agitation for the vote, and the growing presence of non-British Others in the public imagination.

"This work provides a detailed account of book burning worldwide over the past 2000 years. The book burners are identified, along with the works they deliberately set aflame"--Provided by publisher.