A coy tease, enchantress, adulteress, irresponsible mother, hard-hearted wife -- such are the possible images of Penelope that Homer playfully presents to listeners and readers of the Odyssey. His narration ultimately contradicts or fails to confirm these images, however, leaving Penelope as the paragon of the faithful wife. In Regarding Penelope, Felson first considers Penelope as the object of male gazes and as a subject acting from her own desire, and then develops the notion of "possible plots" as structures in the poem that coexist with the plots Penelope actually plays out. She then argues that Homer's manipulation of Penelope's character maintains the narrative fluidity and the dynamics of the Odyssey, and she reveals how, in oral performance, the poet teases and captivates his audience in the same way that Penelope and Odysseus entrap each other in their courtship dance.

As portrayed in Homer's Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, inexplicably hangs Penelope's twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.

An innovative new analysis of the Odyssey's most influential female character

No magic is more powerful or dangerous than the spell of love. It is 1940, and Germany has just invaded France. Across the ocean, in Sweetwater, Tennessee, Penelope, a beautiful alchemist, receives a letter from her childhood friend, Naomie, urging her to France. Bereft from the loss of her widowed father, Penelope leaves her life and travels to German-occupied Paris. There, she meets Naomie's brother, the brilliant alchemist Fulcanelli and his mysterious apprentice, Lucien. Falling headlong into the alchemy's esoteric world, she helps Fulcanelli and Lucien resist the Nazi forces. She trains as a spy and infiltrates a powerful brothel, Le Chambrement. As the horrors of war close in around her, Penelope must seduce a murderous Nazi officer in a desperate calculation to save her lover, Lucian. Through the devastating magic of life, Penelope learns that alchemy has far more to do with the person than the element. The Measure of Gold is an epic story of alchemy, betrayal, courage, and transcendent love.

Jodie Patterson, activist and Chair of the Human Rights Campaign Foundation Board, shares her transgender son's experience in this important picture book about identity and acceptance. Penelope knows that he's a boy. (And a ninja.) The problem is getting everyone else to realize it. In this exuberant companion to Jodie Patterson's adult memoir, The Bold World, Patterson shares her son Penelope's frustrations and triumphs on his journey to share himself with the world. Penelope's experiences show children that it always makes you stronger when you are true to yourself and who you really are.

Deborah Beck argues that conversation should be considered a traditional Homeric type scene, alongside other types such as arrival, sacrifice and battle. She draws on linguitic work and oral aesthetics to describe typical conversational patterns that characterise a range of situations.