This book examines changing responses towards refugees in modern France through French legal, intellectual, political and social history. Critical questions framed debates and policy: whether individuals had a natural human right to receive asylum and whether refugee policy was a matter for national government, or international agreement.

Sweet Land of Liberty is Thomas J. Sugrue’s epic account of the abiding quest for racial equality in states from Illinois to New York, and of how the intense northern struggle differed from and was inspired by the fight down South. Sugrue’s panoramic view sweeps from the 1920s to the present–more than eighty of the most decisive years in American history. He uncovers the forgotten stories of battles to open up lunch counters, beaches, and movie theaters in the North; the untold history of struggles against Jim Crow schools in northern towns; the dramatic story of racial conflict in northern cities and suburbs; and the long and tangled histories of integration and black power. Filled with unforgettable characters and riveting incidents, and making use of information and accounts both public and private, such as the writings of obscure African American journalists and the records of civil rights and black power groups, Sweet Land of Liberty creates an indelible history.

There have never been more refugees, across the world from Myanmar to Syria, than at this moment. Many more millions of refugees are likely to be displaced by the effects of climate change. Why has politics failed to produce adequate responses to these challenges, and not heeded the lessons of refugee crises of the past? Are human rights and international law, or more radically, the case for 'open borders', sufficient to address them? Nathan Bell argues for nothing less than a new concept of the political: that societies (liberal or not, in the mode of the sovereign state or some other form) embrace an ethos of responsibility for others, where the right to seek asylum becomes foundational for politics itself. Such a proposal is at the antipodes of Schmitt's friend-enemy distinction, such that hospitality and not hostility forms the basis of political decision-making. This book comprises two halves: the first establishes the theoretical basis of the ethos of responsibility, with particular reference to the writings of Hannah Arendt, Emmanuel Levinas and Jacques Derrida, while the second half examines these theorists in the context of historical and contemporary case studies. Finally, the book calls for a ‘politics of hauntology’ in memory of the missing - those who might have been rescued, and those yet to come, who are already among the disappeared. In this urgent work, Bell demonstrates that a radical reconfiguration of the understanding of politics is required in order to safeguard the future and human dignity of stateless persons.

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists’ and queer circles in Weimar Berlin and in 1930s Paris. Szalit’s fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner’s The Renaissance of Jewish Culture in Weimar Germany, this book brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art.

Ever since the Age of Discovery, Europeans have viewed the New World as a haven for the victims of religious persecution and a dumping ground for social liabilities. Marilyn C. Baseler shows how the New World's role as a refuge for the victims of political, as well as religious and economic, oppression gradually devolved on the thirteen colonies that became the United States.She traces immigration patterns and policies to show how the new American Republic became an "asylum for mankind." Baseler explains how British and colonial officials and landowners lured settlers from rival nations with promises of religious toleration, economic opportunity, and the "rights of Englishmen," and identifies the liberties, disabilities, and benefits experienced by different immigrant groups. She also explains how the exploitation of slaves, who immigrated from Africa in chains, subsidized the living standards of Europeans who came by choice.American revolutionaries enthusiastically assumed the responsibility for serving as an asylum for the victims of political oppression, according to Baseler, but soon saw the need for a probationary period before granting citizenship to immigrants unexperienced in exercising and safeguarding republican liberty. Revolutionary Americans also tried to discourage the immigration of those who might jeopardize the nation's republican future. Her work defines the historical context for current attempts by municipal, state, and federal governments to abridge the rights of aliens.

Give me your tired, your poor Your huddled masses yearning to breathe free...Who wrote these words? And why? In 1883, Emma Lazarus, deeply moved by an influx of immigrants from Eastern Europe, wrote a sonnet that was to give voice to the Statue of Liberty. Originally a gift from France to celebrate our shared national struggles for liberty, the Statue, thanks to Emma's poem, slowly came to shape our hearts, defining us as a nation that welcomes and gives refuge to those who come to our shores. This title has been selected as a Common Core Text Exemplar (Grades 4-5, Poetry)