Dr. Bhabani Bhattacharya is one of the few Indian English writers who belongs to first-rate novelists of the world. He is a much-translated Indo-Anglian writer who has won global fame. It is my endeavour to bring out the thematic concerns in all his six novels and fifteen short-stories. In addition to this, his work on Gandhi is also taken up for a chapter-wise analysis.

The Study Is A Painstaking Probe Into The Unfolding Of A Hitherto Ignored Thematic And Stylistic Dimension Of Modern Indian English Fiction. Beginning With An In-Depth Analysis Of The Political Underpinnings In The Early Phase, The Study Moves To A Scholarly Critique Of The Same In The Post-Independence Context. Indian English Novel Has Been Appraised As A Human Document, Chronicling Most Credibly The Political Vicissitudes Of The People In General. The Crippling Nature Of The Popular Creed Has Been Isolated As The Cause Of The Personal As Well As The Political Tragedy. The Critique Discovers In Gandhism A Liberating Panacea Which Later Got Ossified Into A Myth. The Differing Perceptions In Novels Of The Light At The End Of The Tunnel Forms Part Of The Next Stage Of The Scholarly Argument. Last But Not The Least, The Book Examines The Artistic Modes Of Projection Of The Political Motif.A Refreshing Insight Into Indian English Fiction, Indian Socio-Political Psyche, The Sociology Of Faith As Well As The Artistic Amalgam Of Aesthetics And Ideology In Indian Literature.An Invaluable Source Book For Researchers, Teachers And Students Of Literature, Politics, Sociology And Philosophy.

Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.

Appearing together in English for the first time, two masterpieces that take on the jazz age, the Nuremburg trials, postwar commercialism, and the feat of writing a book, presented in one brilliant volume The Death of My Brother Abel and its delirious sequel, Cain, constitute the magnum opus of Gregor von Rezzori’s prodigious career, the most ambitious, extravagant, outrageous, and deeply considered achievement of this wildly original and never less than provocative master of the novel. In Abel and Cain, the original book, long out of print, is reissued in a fully revised translation; Cain appears for the first time in English. The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics’ identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on.