Turkey stands at the crossroads of the Middle East--caught between the West and ISIS, Syria and Russia, and governed by an increasingly forceful leader. Acclaimed writer Kaya Genc has been covering his country for the past decade. In Under the Shadow he meets activists from both sides of Turkey's political divide: Gezi park protestors who fought tear gas and batons to transform their country's future, and supporters of Erdogan's conservative vision who are no less passionate in their activism. He talks to artists and authors to ask whether the New Turkey is a good place to for them to live and work. He interviews censored journalists and conservative writers both angered by what has been going on in their country.He meets Turkey's Wall Street types who take to the streets despite the enormity of what they can lose as well as the young Islamic entrepreneurs who drive Turkey's economy.While talking to Turkey's angry young people Genc weaves in historical stories, visions and mythologies, showing how Turkey's progressives and conservatives take their ideological roots from two political movements born in the Ottoman Empire: the Young Turks and the Young Ottomans, two groups of intellectuals who were united in their determination to make their country more democratic. He shows a divided society coming to terms with the 21st Century, and in doing so, gets to the heart of the compelling conflicts between history and modernity in the Middle East.

This paper presents a series of sociopolitical reflections on the Turkish experience since the 1920s, when Mustafa Kemal Ataturk set the country on the path toward Western-style modernization, and on the results of this process, which has accelerated and generated countercurrents and a wide range of reactions. The author, who lived in Turkey for several years during the 1960s and returned after a 20-year absence, identifies significant issues for judging Turkey's future political, social, and economic evolution: the role of religion in society, the parameters of democracy, the implications of integration into Europe, and the importance of minority and extremist political forces.

This book comprises a collection of articles and essays published in a variety of journals during the past decades, which seek to identify and analyze the main factors in Turkish politics. Political parties, military interventions, international relations and cultural developments are given wide coverage alongside studies on literature.

Ottoman Painting is an important corrective to a Western-dominated view of the art history of an era and a stimulating addition to our understanding of the cultural life of the late Ottoman Empire.

This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history, Dmitry S. Likhachev, revered as ‘a guardian of national culture’. Reflections on the Russian Soul is an incredible account of an intellectual’s turbulent journey through twentieth century Russia. Likhachev re-counts the fortunes of people with whom he came into contact and reproduces the air of passed years in Russia. Likhachev vividly portrays his childhood years in St. Petersburg and continues into his student life at Leningrad University that led to an agonizing period of imprisonment and near death. He describes how a harmless prank caught the attention of the Secret Police, resulting in his exile and confinement within the infamous prison island of Solovki. He describes his first-hand experience of brutality in prison during the early Stalin years and the incident that not only saved him but also haunted him for the rest of his life. He reflects on the years after his release from prison and the events leading up to the Second World War. His powerful recollection of the blockade of Leningrad provides the reader with a horrific insight into the harsh effects of war, hunger and survival. Lichachev goes on to describe post-war Russia and how his own livelihood developed from literary editor to a return to Leningrad University as Professor of History. This compelling autobiography finishes with Likhachev’s poignant return to Solovki as a free man.

This is a collection of essays on Edmund Burke's Reflections on the Revolution in France. The contributors consider its reception, its legacy to English and Irish writers and its impact within contemporary cultural and critical theory.