"Stuart Gilbert's friendship with James Joyce began in Paris in 1927 after Gilbert read several pages from a forthcoming French translation of Ulysses in the window of Sylvia Beach's Shakespeare and Company book shop and went in to tell Beach that the translation was poorly done. She reported the encounter to Joyce, who subsequently sought out Gilbert. Their meeting began a literary collaboration and friendship that lasted until Joyce's death in 1941." "This journal is a chronicle of that remarkable and productive friendship. Stuart Gilbert records many amusing anecdotes and provocative opinions regarding Joyce's social life, his relationship with his wife, Nora, and his compositional techniques for Finnegans Wake. Also included in the book are some of Joyce's previously unpublished letters to Gilbert (also reproduced in photographs), numerous unpublished photographs, and a typically dyspeptic 1941 essay on Joyce, Paul Leon, and Herbert Gorman by Gilbert. The volume is fully annotated and contains an introduction by noted Joyce scholar Thomas F. Staley." "These materials from the Stuart Gilbert Archive of the Harry Ransom Humanities Research Center at the University of Texas at Austin offer new perspectives on literary Paris of the 1920s and 1930s. They will be important for everyone interested in the modernist period."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Offering an audacious new take on Joyce's classic modern novel "Ulysses," Kiberd argues the novel is not an esoteric tome for the scholarly few but rather a work written both about and for the common person, and explains how it can teach readers to live better lives.

A study.

W. B. Yeats was Romantic and Modernist, mystical dreamer and leader of the Irish Literary Revival, Nobel prizewinner, dramatist and, above all, poet. He began writing with the intention of putting his 'very self' into his poems. T. S. Eliot, one of many who proclaimed the Irishman's greatness, described him as 'one of those few whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them'. For anyone interested in the literature of the late nineteenth century and the twentieth century, Yeats's work is essential. This volume gathers the full range of his published poetry, from the hauntingly beautiful early lyrics (by which he is still fondly remembered) to the magnificent later poems which put beyond question his status as major poet of modern times. Paradoxical, proud and passionate, Yeats speaks today as eloquently as ever.

Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York--from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs--believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages--rich, ludicrous, exact, and also American--in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.