Bernard B Fall was 40 years old when he was killed by a booby trap in northern South Vietnam on February 21, 1967. By the time of his death he had already authored seven books on Vietnam. This book, first published shortly after Dr Fall's death, is a tribute to his life's work. It contains the only known autobiographical account of his life, several previously unpublished articles, notes for 'Street Without Joy Revisited', and transcripts of Dr Fall's tape recordings, including his last recorded words.

Reflections on War is a comprehensive and objective investigation into the problems of war. The book explores the crucial link between theory, strategy and objectives in war, taking all the evidence and theory into account, and should be of interest to military practitioners, specialists in defence studies, and others interested in military history. Also notable about the work is its ability to draw insights together from international legal theory, management sciences, history, sociology and the political economy of war ? showing due respect for the moral complexities involved in waging war.

For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.

One of the most astonishing aspects of Hesse's career is the clear-sightedness and consistency of his political views, his passionate espousal of pacifism and internationalism from the start of World War I to the end of his life. The earliest essay in this book was written in September 1914 and was followed by a stream of letters, essays, and pamphlets that reached its high point with Zarathustra's Return (published anonymously in 1919, the year that also saw the publication of Demian), in which Hesse exhorted German youth to shake off the false gods of nationalism and militarism that had led their country into the abyss. Such views earned him the labels "traitor" and "viper" in Germany, but after World War II he was moved to reiterate his beliefs in another series of essays and letters. Hesse arranged his anti-war writing for publication in one volume in 1946; an amplified edition appeared in 1949 and that text has been followed for this first English-language edition. In his foreword Hesse describes the heart of the philosophy expressed here: "In each one of these essays I strive to guide the reader not into the world theater with its political problemns but into his innermost being, before the judgment seat of his very personal conscience." This faith in salvation via the Inward Way, so familiar to readers of Hesse's fiction, is persuasively set forth as the answer to questions of war and peace.

""An important contribution to the literature on the war."" Gary R. Hess, Emeritus Distinguished Research Professor, Bowling Green State University. Author, --"Vietnam: Explaining America's Lost War." In his Reflections on the Vietnam War: A Fifty-Year Journey, Warren E. Hunt chronicles his long struggle to come to grips with the meaning of the Vietnam War and how it affected him before, during and after his tour in Vietnam with the U.S. First Infantry Division. Using a stylistic mix of personal anecdote, historical reflection and essay, the author weaves his experience of the war into a broad context encompassing the course of his life. Starting out as a naive and patriotic teenager drafted at age 19, he traces his path through military training, his impressions of Vietnam and its people, the absurdity of daily basecamp life, and the crucible of enemy fire. Returning to a nation torn apart by the war, he soon realizes that, even though he is no longer in the army, he cannot escape the war''s insane grasp. Catastrophic events in Vietnam and on the home front, along with the dawning awareness of suicides among his fellow veterans, prompt him to seek answers to the questions that haunt his daily life: Why did America go to war in Vietnam? How could we lose? Why did so many people have to suffer in vain? His quest leads him to the unveiling of the Vietnam Veterans Memorial in Washington, D.C., where painful memories and powerful emotions merge to initiate a healing process for the author, his fellow veterans and the country at large.

Reflections of a Warrior is a Medal of Honor winner's true story—a Green Beret's six deadly years in the killing fields of Vietnam. PFC Franklin Miller arrived in Vietnam in March 1966, and saw his first combat in a Reconnaissance Platoon. So began an odyssey that would make him into one of the most feared and respected men in the Special Forces elite, who made their own rules in the chaos of war. In the exclusive world of the Military Assistance Command, Vietnam, Studies and Observation Group, Miller ran missions deep into enemy territory to gather intelligence, snatch prisoners, and to kill. Leading small bands of battle-hardened Montagnard and Meo tribesmen, he was fierce and fearless—fighting army policy to stay in combat for six tours. On a top-secret mission in 1970, Miller and a handful of men, all critically injured, held off the NVA in an incredible Alamo-like stand—for which he was awarded the Congressional Medal of Honor. When his time in Southeast Asia ended, he had also received the Silver Star, two Bronze Stars, an Air Medal, and six Purple Hearts. This is his incredible story.

“A precisely crafted and bracingly honest” memoir of war and its aftershocks from the New York Times–bestselling author of Matterhorn (The Atlantic). In 1968, at the age of twenty-three, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat, killing the enemy and watching friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In What It Is Like to Go to War, Marlantes takes a candid look at these experiences and critically examines how we might better prepare young soldiers for war. In the past, warriors were prepared for battle by ritual, religion, and literature—which also helped bring them home. While contemplating ancient works from Homer to the Mahabharata, Marlantes writes of the daily contradictions modern warriors are subject to, of being haunted by the face of a young North Vietnamese soldier he killed at close quarters, and of how he finally found a way to make peace with his past. Through it all, he demonstrates just how poorly prepared our nineteen-year-old warriors are for the psychological and spiritual aspects of the journey. In this memoir, the New York Times–bestselling author of Matterhorn offers “a well-crafted and forcefully argued work that contains fresh and important insights into what it’s like to be in a war and what it does to the human psyche” (The Washington Post).