REFLECTIONS is the SAT Temple’s quarterly journal. “Reflections” contains transcriptions of satsangs at SAT given by Nome, the teachings of Sri Ramana Maharshi, excerpts from “The Ramana Way,” (the RMCL journal), excerpts from numerous Advaitic scriptures, updates on events occurring at the SAT Temple, and much more.

A powerful story set in small-town Arkansas in the 1950s that illuminates the friendship surrounding the arrival of Chinese immigrants in the segregated south. Azalea is not happy about being dropped off to look after Grandmother Clark. Even if she didn't care that much about meeting the new sixth graders in her Texas hometown, those strangers seem much preferable to the ones in Paris Junction. Talk about troubled Willis DeLoach or gossipy Melinda Bowman. Who needs friends like these!And then there's Billy Wong, a Chinese-American boy who shows up to help in her grandmother's garden. Billy's great-aunt and uncle own the Lucky Foods grocery store, where days are long and some folks aren't friendly. For Azalea, whose family and experiences seem different from most everybody she knows, friendship has never been easy. Maybe this time, it will be.Inspired by the true accounts of Chinese immigrants who lived in the American South during the civil rights era, these side by side stories--one in Azalea's prose, the other in Billy's poetic narrative--create a poignant novel and reminds us that friends can come to us in the most unexpected ways.

REFLECTIONS is SAT Temple's quarterly journal. This issue of the SAT Temple’s quarterly journal contains two transcripts of Satsangs with Nome, the teachings of Sri Ramana Maharshi, excerpts from “The Ramana Way,” (the RMCL journal by Sri A. R. Natarajan and Sarada Natarajan), the SAT temple photo album, excerpts from Vedas and numerous Advaitic scriptures, updates on events occurring at the SAT Temple, and much more. The SAT Temple is a Siva-Ramana Hindu temple consecrated to the teachings of Advaita Vedanta, especially as revealed by Sri Ramana Maharshi.

In the spirit of the mega-selling On Bullshit, philosopher Aaron James presents a theory of the asshole that is both intellectually provocative and existentially necessary. What does it mean for someone to be an asshole? The answer is not obvious, despite the fact that we are often personally stuck dealing with people for whom there is no better name. Try as we might to avoid them, assholes are found everywhere—at work, at home, on the road, and in the public sphere. Encountering one causes great difficulty and personal strain, especially because we often cannot understand why exactly someone should be acting like that. Asshole management begins with asshole understanding. Much as Machiavelli illuminated political strategy for princes, this book finally gives us the concepts to think or say why assholes disturb us so, and explains why such people seem part of the human social condition, especially in an age of raging narcissism and unbridled capitalism. These concepts are also practically useful, as understanding the asshole we are stuck with helps us think constructively about how to handle problems he (and they are mostly all men) presents. We get a better sense of when the asshole is best resisted, and when he is best ignored—a better sense of what is, and what is not, worth fighting for.

Kin is a dazzling family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision. Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.

A dazzling debut novel set in New York City’s Jewish immigrant community in 1935... How was it that out of all the girls in the office, I was the one to find myself in this situation? This didn’t happen to nice Jewish girls. In 1935, Dottie Krasinsky is the epitome of the modern girl. A bookkeeper in Midtown Manhattan, Dottie steals kisses from her steady beau, meets her girlfriends for drinks, and eyes the latest fashions. Yet at heart, she is a dutiful daughter, living with her Yiddish-speaking parents on the Lower East Side. So when, after a single careless night, she finds herself in a family way by a charismatic but unsuitable man, she is desperate: unwed, unsure, and running out of options. After the birth of five children—and twenty years as a housewife—Dottie’s immigrant mother, Rose, is itching to return to the social activism she embraced as a young woman. With strikes and breadlines at home and National Socialism rising in Europe, there is much more important work to do than cooking and cleaning. So when she realizes that she, too, is pregnant, she struggles to reconcile her longings with her faith. As mother and daughter wrestle with unthinkable choices, they are forced to confront their beliefs, the changing world, and the fact that their lives will never again be the same….