In 1997, the film Office Killer was released to the public. Cindy Sherman, of photographic fame, had directed the film as her first foray into the world of cinema. The film was ultimately received negatively publicly and critically with many critics criticizing that the film had none of the artistic direction that Sherman's photographs displayed. This paper reexamines the film in the context of the critical theory written by Laura Mulvey and Mary Ann Doane about her photographic series Untitled Film Stills, Disasters, and Fairy Tales, reconsidering its merits in line with Sherman's larger oeuvre.

The Big Lost is a series of short stories that contains fictional events that are either amazing or just plain weird. First, a girl dreaming to see the Twin Towers goes through the tragety of them falling, a serries of news articles tells stories about different events that changed history and a girl tells a tale about when suffered with guilt by disobeying her mother and worrying about her sister after suffering an accident, which makes her go through a dream where she meets the people she already knows, but it isn't really them.

This retrospective exhibiton presents over one hundred and eighty works covering a thirty five year period.

"Biography of legendary artist Cindy Sherman"--