Film comedy has been around as long as cinema itself. Over the years, particular forms of the genre have emerged, evolved, and spawned other branches of comedy. While these subgenres may vary in their approach to humor, all of them have the same goal: amusing audiences. In Reeling with Laughter: American Film Comedies—From Anarchy to Mockumentary, Michael V. Tueth examines some of the most enjoyable comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific subgenre through a representative film. Along with the Marx Brothers’ classic, other subgenres discussed in this volume include romantic comedy (It Happened One Night), screwball comedy (Bringing Up Baby and What’s Up, Doc?), musical comedy (Singin’ in the Rain), sex farce (Some Like It Hot), satire (Dr. Strangelove), parody (Young Frankenstein), neurotic comedy (Annie Hall), Dionysian comedy (Animal House), mockumentary (Waiting for Guffman), and animated comedy (South Park: Bigger, Longer & Uncut). In this volume, Tueth provides the background of each film’s production and discusses their audience reception, critical appraisal, and the qualities that have characterized these enduring works. Reeling with Laughter will appeal to film students, as well as the general public eager to revisit these great American films.

The Encyclopedia of Humor: A Social History explores the concept of humor in history and modern society in the United States and internationally. This work’s scope encompasses the humor of children, adults, and even nonhuman primates throughout the ages, from crude jokes and simple slapstick to sophisticated word play and ironic parody and satire. As an academic social history, it includes the perspectives of a wide range of disciplines, including sociology, child development, social psychology, life style history, communication, and entertainment media. Readers will develop an understanding of the importance of humor as it has developed globally throughout history and appreciate its effects on child and adult development, especially in the areas of health, creativity, social development, and imagination. This two-volume set is available in both print and electronic formats. Features & Benefits: The General Editor also serves as Editor-in-Chief of HUMOR: International Journal of Humor Research for The International Society for Humor Studies. The book’s 335 articles are organized in A-to-Z fashion in two volumes (approximately 1,000 pages). This work is enhanced by an introduction by the General Editor, a Foreword, a list of the articles and contributors, and a Reader’s Guide that groups related entries thematically. A Chronology of Humor, a Resource Guide, and a detailed Index are included. Each entry concludes with References/Further Readings and cross references to related entries. The Index, Reader’s Guide themes, and cross references between and among related entries combine to provide robust search-and-browse features in the electronic version. This two-volume, A-to-Z set provides a general, non-technical resource for students and researchers in such diverse fields as communication and media studies, sociology and anthropology, social and cognitive psychology, history, literature and linguistics, and popular culture and folklore.

“I love to entertain people and make them laugh. Whether through Manny or by just being myself, making people laugh is the greatest feeling in the world. Getting an opportunity to do that at my age has taught me a lot. So, I started this journal as a reminder of the most important real and 'reel' life lessons that I hope to never forget. ” Barely into his teen years, Rico Rodriguez is living his dream, playing the hilarious and infectious character Manny Delgado on ABC’s Emmy Award–winning sitcom Modern Family. As his on-screen alter ego, Rico dispenses wisdom with a maturity far beyond his age. In Reel Life Lessons...So Far, he shares his own thoughts about growing up, facing life’s challenges, and the importance of family. Written in a simple, lighthearted manner and filled with witty and engaging anecdotes about Rico’s life on and off the set—or, as he puts it, life with his real family and his reel family, Reel Life Lessons...So Far reflects a sense of warmth and charm that will remind readers of all ages about the true kid inside us all.

This volume is about puppetry, an expression of popular and folk culture which is extremely widespread around the world and yet has attracted relatively little scholarly attention. Puppetry, which is intended for audiences of adults as well as children, is a form of communication and entertainment and an esthetic and artistic creation. Of the many aspects of puppetry worthy of scholarly study, this book's focus is on a central and dominant feature--humor and comedy.

What if our truest life is the one right in front of us? Does life sometimes seem to be passing you by? Are you so busy—with email to check, Instagram to scroll through, and friends to be envious of—that you’ve become disconnected from your actual life? You know, the one you are living right here, right now? With hilariously relatable confessions and profoundly beautiful insights, Kate Merrick invites us to stop running away from the lives we’re living today and instead walk in the peace and fullness God offers moment to moment. She shows us how to kill your Wi-Fi, put down the tech, and find deeper contentment, redirect the FOMO so you don’t miss out on your own life, and go on a diet of fewer choices to discover the blessings of the quiet, the slow, and the intentional. Only when we look honestly at our hearts and have the courage to live truly present do we receive the gifts of God found in all of life’s seasons—the painful ones, the big and beautiful ones, and even the ordinary ones.

Kate Merrick examines the Bible’s gritty stories of resilient women as well as her own experience losing a child—a journey followed by more than a million on prayfordaisy.com—to reveal the reality of surprising joy and deep hope even in the midst of heartache. Is it possible live fully—even joyfully—in the middle of overwhelming pain? In the excruciating aftermath of her young daughter’s death from cancer, Kate Merrick struggled to find a way to live. Not just to survive or go through the motions, but to live fully. Faithfully. With real joy amid inevitable tears. To discover how, Kate delved into the stories in the Bible of real women who suffered deeply and emerged somehow joyful. How did Sarah, after twenty-five years of achingly empty arms, learn to laugh without bitterness? How did Bathsheba, defiled by the king who then had her husband killed, come to walk in strength and dignity, to smile without fear of the future? In her encounters with these heroines of the faith, Kate discovered how to have contentment—and even joy—whatever the circumstances. By turns heartbreaking and humorous, And Still She Laughs reveals the secret to finding hope in the midst of devastation. In the end, no matter what hardships we face, we can smile, cry, and come away full—laughing without fear and eagerly looking for what is to come. “And Still She Laughs is the terrifying, tearful, heartbreaking, heart healing and humorous, definitive true story of survival and triumph.” —Kathy Ireland, chair of Kathy Ireland Worldwide “Kate Merrick is one of those women that I always wish I had more time with—her honesty, sincerity, and messy straightforwardness are different, in the very best way. Her book, And Still She Laughs, is the same way. It’s one of those books I will keep coming back to it for truth and inspiration.” —Lindsey Nobles, COO of the IF:Gathering

The thesis of this book is that neither laughter nor humor can be understood apart from the feeling that underlies them. This feeling is a mental state in which people exclude some situation from their knowledge of how the world really is, thereby inhibiting seriousness where seriousness would be counterproductive. Laughter is viewed as an expression of this feeling, and humor as a set of devices designed to trigger it because it is so pleasant and distracting. Beginning with phonetic analyses of laughter, the book examines ways in which the feeling behind the laughter is elicited by both humorous and nonhumorous situations. It discusses properties of this feeling that justify its inclusion in the repertoire of human emotions. Against this background it illustrates the creation of humor in several folklore genres and across several cultures. Finally, it reconciles this understanding with various already familiar ways of explaining humor and laughter.