During the late nineteenth century, magazines, newspapers, novelists, and even historians presented a revised version of the Civil War that, intending to reconcile the former foes, downplayed the issues of slavery and racial injustice, and often promoted and reinforced the worst racial stereotypes. The Reel Civil War tells the history of how these misrepresentations of history made their way into movies. More than 800 films have been made about the Civil War. Citing such classics as Birth of a Nation and Gone With the Wind as well as many other films, Bruce Chadwick shows how most of them have, until recently, projected an image of gallant soldiers, beautiful belles, sprawling plantations, and docile or dangerous slaves. He demonstrates how the movies aided and abetted racism and an inaccurate view of American history, providing a revealing and important account of the power of cinema to shape our understanding of historical truth.

In this landmark study, cultural historian Bruce Chadwick traces the ways in which American film -- including such classics as Birth of a Nation and Gone With the Wind -- has consistently misrepresented history.The Civil War has been depicted on film more than any other event in American history. But until recently the war itself was more often portrayed as a misunderstanding between gentlemen than as the great national cataclysm it was. Movie after movie has diminished or ignored the impact of slavery and romanticized the cause of the Confederacy. Revealing how these distortions became accepted as essentially true by an ill-informed public, this is a fascinating portrait of the power of film to shape our understanding of history, sure to appeal to film and history buffs alike.

"Placing the New Southern Studies in conversation with film studies, this book is simply the best edited collection available on film and the U.S. South.---Grace Hale. University of Virginia --

Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith’s Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans. In The American Civil War on Film and TV: Blue and Gray in Black and White and Color, Douglas Brode, Shea T. Brode, and Cynthia J. Miller bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton’s The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes’ acclaimed North and South trilogy (1985-86). As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well.

The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.

"The single best kickoff to the American Civil War...I can't imagine a better guide for any of us, whether student or scholar." -Robert Hicks author of the New York Times bestselling novel The Widow of the South "A detailed and enjoyable set of facts and stories that will engage every reader from the newest initiate to the Civil War saga to the most experienced historian. This book is a must have for any Civil War reading collection." - James Lewis, Park Ranger at Stones River National Battlefield Do You Think You Know the Civil War? The History Buff's Guide to the Civil War clears the powder smoke surrounding the war that changed America forever. What were the best, the worst, the largest, and the most lethal aspects of the conflict? With over thirty annotated top ten lists and unexpected new findings, author Thomas R. Flagel will have you debating the most intriguing questions of the Civil War in no time. From the top ten causes of the war to the top ten bloodiest battles, this invaluable guide to the great war between the states will delight and inform you about one of the most crucial periods in American history.

In Troubled Commemoration, Robert J. Cook recounts the planning, organization, and ultimate failure of United States Civil War Centennial and reveals how the broad-based public history extravaganza was derailed by its appearance during the decisive phase of the civil rights movement.