REESE’S BOOK CLUB PICK • “[A] richly textured and deeply moving debut” (The New York Times Book Review, Editors’ Choice) about one unforgettable Southern Black family and its youngest daughter’s coming of age in the 1990s. “A triumph . . . Redwood Court is storytelling at its best: tender, vivid, and richly complicated.”—Jacqueline Woodson, New York Times bestselling author of Red at the Bone “Mika, you sit at our feet all these hours and days, hearing us tell our tales. You have all these stories inside you: all the stories everyone in our family knows and all the stories everyone in our family tells. You write ’em in your books and show everyone who we are.” So begins award-winning poet DéLana R. A. Dameron’s debut novel, Redwood Court. The baby of the family, Mika Tabor spends much of her time in the care of loved ones, listening to their stories and witnessing their struggles. On Redwood Court, the cul-de-sac in the all-Black working-class suburb of Columbia, South Carolina, where her grandparents live, Mika learns important lessons from the people who raise her: her exhausted parents, who work long hours at multiple jobs while still making sure their kids experience the adventure of family vacations; her older sister, who in a house filled with Motown would rather listen to Alanis Morrisette; her retired grandparents, children of Jim Crow, who realized their own vision of success when they bought their house on the Court in the 1960s, imagining it filled with future generations; and the many neighbors who hold tight to the community they’ve built, committed to fostering joy and love in an America so insistent on seeing Black people stumble and fall. With visceral clarity and powerful prose, Dameron reveals the devastation of being made to feel invisible and the transformative power of being seen. Redwood Court is a celebration of extraordinary, ordinary people striving to achieve their own American dreams.

A REESE'S BOOK CLUB PICK INSTANT NEW YORK TIMES BESTSELLER “Are you ready for the roller coaster ride that is The Club? . . . A beautifully written, densely plotted murder mystery that takes place at a private club off the coast of England. Read about a luxurious, celeb-only island during a weekend of partying and ultimately murder.” —Reese Witherspoon (Reese’s Book Club March ’22 Pick) From the author of People Like Her comes a smart and sinister murder mystery set in the secretive world of exclusive celebrity clubs. Everyone's Dying to Join . . . The Home Group is a glamorous collection of celebrity members' clubs dotted across the globe, where the rich and famous can party hard and then crash out in its five-star suites, far from the prying eyes of fans and the media. The most spectacular of all is Island Home—a closely-guarded, ultraluxurious resort, just off the English coast—and its three-day launch party is easily the most coveted A-list invite of the decade. But behind the scenes, tensions are at breaking point: the ambitious and expensive project has pushed the Home Group's CEO and his long-suffering team to their absolute limits. All of them have something to hide—and that's before the beautiful people with their own ugly secrets even set foot on the island. As tempers fray and behavior worsens, as things get more sinister by the hour and the body count piles up, some of Island Home’s members will begin to wish they’d never made the guest list. Because at this club, if your name’s on the list, you’re not getting out.

The author searches for answers to spiritual quandaries in this collection of poems. Her poems form a lyrical conversation with an ominous and omnipotent deity, one who controls all matters of the living earth, including death and destruction. Her acknowledgement of the breadth of this power under divine jurisdiction moves her by turns to anger, grief, celebration, and even joy. From personal to collective to imagined histories, these poems explore essential, perennial questions emblemized by natural disasters, family struggles, racism, and the experiences of travel abroad.

*INSTANT #1 NEW YORK TIMES BESTSELLER* *INSTANT #1 INDIE BESTSELLER* *INSTANT USA TODAY BESTSELLER* *A REESE'S YA BOOK CLUB PICK* "Schwartz's magical novel is at once gripping and tender, and the intricate plot is engrossing as the reader tries to solve the mystery. She doesn't miss a beat in either the characterization or action, scattering clues with a delicate, precise hand. This is, in the end, the story of the anatomy of the human heart." - Booklist (starred review) Dana Schwartz’s Anatomy: A Love Story is a gothic tale full of mystery and romance. Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought. Because Hazel has made a deal with Dr. Beecham: if she can pass the medical examination on her own, Beecham will allow her to continue her medical career. Without official lessons, though, Hazel will need more than just her books—she’ll need corpses to study. Lucky that she’s made the acquaintance of someone who digs them up for a living. But Jack has his own problems: strange men have been seen skulking around cemeteries, his friends are disappearing off the streets, and the dreaded Roman Fever, which wiped out thousands a few years ago, is back with a vengeance. Nobody important cares—until Hazel. Now, Hazel and Jack must work together to uncover the secrets buried not just in unmarked graves, but in the very heart of Edinburgh society.

One morning in Don Mills, Phil and his brother Jay agree to let their friend Norman Kitchen tag along on an adventure down into a ravine — and what happens there at the hands of two pitiless teenagers changes all their lives forever. Years later the horrifying details are still unclear, smothered in layers of deliberate forgetting. Phil doesn’t even remember the names: Ted and Terry? Tom and Tony? It’s only when he descends into a crisis of his own that he comes to realize that perhaps, as he drunkenly tells a crisis line counsellor, “I went down into a ravine, and never really came back out.” The Ravine is Phil’s book — we read it as he types it, in the basement apartment he’s called home since his wife kicked him out for having an affair with a make-up girl. As he writes, and then corrects what he’s written, we hear how he went from promising young playwright to successful, self-hating TV producer. We listen in on his disastrous late-night phone calls, and watch his brother (once a brilliant classical pianist) weep to himself as he plays Ravel and Waltzing Matilda in a desolate bar. The Ravine tells us all about the influence of The Twilight Zone on Phil’s work and his life — how it helped him meet his wife Veronica and then lose her, and how it led to the bizarre death of his friend, TV star Edward Milligan. Sometimes, when Phil’s drunk, a friend will look at what he’s written so far and call him on it — like when Jay tells Phil that he’s remembered it all wrong: that he was just as good as Phil at tying knots back when they were in the cubs. Phil’s “ravine” is his attempt to make sense of things, to try to understand how everything went so wrong just as it seemed to be going so right. But The Ravine is also a Paul Quarrington novel, meaning that it’s hilarious and ingenious, quietly working its magic until the reader is at once heartbroken and hopeful. A darkly funny story about loss and redemption, The Ravine is also about how stories are made — how they can pull us out of disasters that seem too much for anyone to bear — and about how, sometimes, what we need to forgive ourselves for is not what we think it is at all.

REESE'S BOOK CLUB PICK • A 'nuanced, brilliant' ( Essence) debut about one unforgettable Southern Black family and its youngest daughter's coming of age in the 1990s. 'A triumph . . . Redwood Court is storytelling at its best: tender, vivid, and richly complicated' - Jacqueline Woodson, New York Times bestselling author of Red at the Bone 'Mika, you sit at our feet all these hours and days, hearing us tell our tales. You have all these stories inside you: all the stories everyone in our family knows and all the stories everyone in our family tells. You write 'em in your books and show everyone who we are' So begins award-winning poet DéLana R. A. Dameron's debut novel, Redwood Court. The baby of the family, Mika Tabor spends much of her time in the care of loved ones, listening to their stories and witnessing their struggles. On Redwood Court, the cul-de-sac in the all-Black working-class suburb of Columbia, South Carolina, where her grandparents live, Mika learns important lessons from the people who raise her: her exhausted parents, who work long hours at multiple jobs while still making sure their kids experience the adventure of family vacations; her older sister, who in a house filled with Motown would rather listen to Alanis Morrisette; her retired grandparents, children of Jim Crow, who realized their own vision of success when they bought their house on the Court in the 1960s, imagining it filled with future generations; and the many neighbours who hold tight to the community they've built, committed to fostering joy and love in an America so insistent on seeing Black people stumble and fall. With visceral clarity and powerful prose, Dameron reveals the devastation of being made to feel invisible and the transformative power of being seen. Redwood Court is a celebration of extraordinary, ordinary people striving to achieve their own American dreams.

The first-ever English translation of the classic Latin American novel—dubbed ‘Sisyphus in the Caribbean’—for fans of Paul Theroux’s Mosquito Coast and Alex Garland’s The Beach. A couple experiences a downward spiral on the Caribbean coast in this “taut, uncompromising study of the fault lines in all of us,” hailed as “‘the best-kept secret of Colombian literature’” (The Guardian). The young intellectuals J. and Elena abandon the parties, the drinking, and the money of the city to start a new life on a remote tropical coast. Among mango trees, hot sands, and everlasting sunshine, they plan to live the Good Life—self-sufficient and close to nature. But with each day comes small defeats and imperceptible dramas. Gradually, paradise turns into hell, as brutal weather, mounting debts, the couple’s brittle relationship, and the sea itself threaten to destroy them. Based on a true story, In the Beginning Was the Sea is a dramatic and searingly ironic account of the disastrous encounter of the imagined life with reality—a satire of hippyism, ecological fantasies, and of the very idea that man can control fate.