The classic Bubba figure is portrayed in Japanese-style verse, addressing the whole spectrum of redneck culture from RVs and Wal-Mart to monster trucks, and hunting.

The classic Bubba figure is portrayed in Japanese-style verse, addressing the whole spectrum of redneck culture from RVs and Wal-Mart to monster trucks, and hunting.

The Southerness Series is an exercise in limitations and an exploration of form. Picking up where the pioneer of Redneck Haiku, Mary K. Witte, left off, these poems grapple with the uneasy relationship between form and content, while unflinchingly chronicling the more problematic aspects of Southern American history and popular culture. Similarly, the accompanying Rebel flag prints wrestle with the ability of formalism to trascend historicism.

Time leans toward inspiration and lends unto the end of time. And as life attempts to negotiate the mundane of the in-between, wishful thinking encapsulates what remains to be seen. Wishful Thinking is both the title of this book and the title of the illustration on the book cover. Another unique facet of this compilation of artwork is that both author and illustrator hail from Gary, Indiana. Wishful Thinking is poetic art that aspires to reach into the hearts and minds of those who desire to traverse the world of abstract conceptualization. Poetry is an art form, and the author wishes to speak to this particular audience using the art forms of prose, verse, poetic inspiration, and then American jingle genre of haiku. He desires to connect with and to implore sincere dalliances with his form of wishful thinking. So let yourself go and enjoy this material.

Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.

I write haiku when I'm feelin' blue and when love and pain make me want. Join us on a journey through the pain of betrayal, divorce and after... We love the traditional Japanese haiku format of 17 syllables on 3 lines: 5-7-5. It is very symmetrical, terse and disciplined. However, these are not your great grandfather's haiku. This is Modern American Haiku. We do keep the fundamental format, but that 's all. For one thing, we give them titles, which we believe helps the reader focus on the punch in each haiku. Second, there is word play. Third, there is the extra dimension of the images in which the haiku are embedded or by which they are framed. We believe the reader will be amazed at how well the illustrations deepen the haiku. Ted and Patricia