Redneck Boy in the Promised Land is Ben Jones’s hilarious, uplifting life story of escaping the rail yards and finding success in the unlikeliest places. As a child, Jones called a dingy railroad shack with no electricity or indoor plumbing home. An unabashed Southern redneck from a "likker drinkin’, hell-raisin’" family, Jones grew up in the depressed railroad docks outside of Portsmouth, Virginia, and spent most of his days dreaming about where the tracks out of town could take him. That he would go on to become a beloved television icon on The Dukes of Hazzard and a firebrand two-term Congressman is a story that no one could have ever seen coming . . . least of all ol’ "Cooter" himself. Written with naked honesty and wry humor, Redneck Boy in the Promised Land is one good ol’ boy’s remarkable tale of falling flat on his face, picking himself up, and finding his way to the American dream-while fighting for civil rights, the plight of the working class, "real" Southern culture, and the rights of rednecks everywhere. From the Hardcover edition.

The word “change” stormed onto the political lexicon in 1992 when Democratic Presidential nominee Bill Clinton aimed to deny George H.W. Bush a second term. Often overlooked, however, is that “change” also caused a ruckus in Congress. Redistricting, a check overdraft scandal that consumed the chamber and overall frustration with the system produced a wild and woolly year that sent 110 House members into retirement or defeat. Departures On The House portrays comprehensive biographies of each of those members.

With the nation reeling from the cultural and political upheavals of the 1960s era, imaginings of the white South as a place of stability represented a bulwark against unsettling problems, from suburban blandness and empty consumerism to race riots and governmental deceit. A variety of individuals during and after the civil rights era, including writers, journalists, filmmakers, musicians, and politicians, envisioned white southernness as a manly, tradition-loving, communal, authentic—and often rural or small-town—notion that both symbolized a refuge from modern ills and contained the tools for combating them. The South of the Mind tells this story of how many Americans looked to the country’s most maligned region to save them during the 1960s and 1970s. In this interdisciplinary work, Zachary J. Lechner bridges the fields of southern studies, southern history, and post–World War II American cultural and popular culture history in an effort to discern how conceptions of a tradition-bound, “timeless” South shaped Americans’ views of themselves and their society’s political and cultural fragmentations. Wide-ranging chapters detail the iconography of the white South during the civil rights movement; hippies’ fascination with white southern life; the Masculine South of George Wallace, Walking Tall, and Deliverance; the differing southern rock stylings of the Allman Brothers Band and Lynyrd Skynyrd; and the healing southernness of Jimmy Carter. The South of the Mind demonstrates that we cannot hope to understand recent U.S. history without exploring how people have conceived the South, as well as what those conceptualizations have omitted.

It was the first (and last) season of professional baseball in Israel. Aaron Pribble, twenty-seven, had been out of Minor League Baseball for three years while he pursued a career in education when, at his coach’s suggestion, he tried out for the newly formed Israel Baseball League (IBL). Of Jewish descent (not a requirement, but definitely a plus) and former pro, Pribble was the ideal candidate for the upstart league. In many ways the league resembled the ultimate baseball fantasy camp with its unforgettable cast of characters: the DJ/street artist third baseman from the Bronx, the wildman catcher from Australia, the journeymen Dominicans who were much older than they claimed to be, and, of course, seventy-one-year-old Sandy Koufax, drafted in a symbolic gesture as the last player. After falling in love with a beautiful Yemenite Jew, enduring an alleged terrorist attack on opening day, witnessing a career-ending brain injury caused by improper field equipment, participating in a strike, and venturing into the West Bank despite being strongly advised against it, Pribble must decide whether to forgo a teaching career in order to become the first player from the IBL to sign a pro contract in the United States. His is a story of coming of age spiritually and athletically in one short season in the throes of romance, Middle Eastern politics, and the dreams of America’s pastime far, far afield from home. Learn about Holy Land Hardball, a documentary on the Israel Baseball League.

A regional studies review.

Tommy Thompson arrived in Chapel Hill, North Carolina, in 1963, smitten by folk and traditional Appalachian music. In 1972, he teamed with Bill Hicks and Jim Watson to form the nontraditional string band the Red Clay Ramblers. Mike Craver joined in 1973, and Jack Herrick in 1976. Over time, musicians including Clay Buckner, Bland Simpson and Chris Frank joined Tommy, who played with the band until 1994. Drawing on interviews and correspondence, and the personal papers of Thompson, the author depicts a life that revolved around music and creativity. Appendices cover Thompson's banjos, his discography and notes on his collaborative lyric writing.