An invaluable record of African American lives in the aftermath of Emancipation and Reconstruction This book presents a photographic narrative of African American and Native American migration and resettlement in the aftermath of Emancipation and Reconstruction. Taken between 1897 and 1917 by itinerant photographer William Bullard of Worcester, Massachusetts, these photographs address larger themes involving race in American history, many of which remain relevant today: the story of people of color claiming their rightful place in society and creating a community in new surroundings. William Bullard's heretofore unpublished collection of more than 230 glass negatives presenting the African American and Nipmuc communities of Worcester, Massachusetts, at the turn of the century provides an exceptional opportunity to significantly deepen our understanding of the use of photography at a political and personal level. Unlike most extant photographic collections of black Americans taken in this period, the subjects in Bullard's photographs are identified in his logbook, allowing this book to tell specific stories about individuals and re-create a more accurate historical context. In addition, though most publications engaging with African American history focus on the Gilded Age or the Civil Rights eras, this collection of Bullard's photographs exposes a critical gap in many visual histories. Predating the Great Migration, these photographs portray a moment seldom stressed in the historical narrative, replacing stereotypical notions of poverty and dysfunction with accomplishment and respectability.

This book presents a photographic narrative of African American and Native American migration and resettlement in the aftermath of emancipation and reconstruction. Taken between 1897 and 1917 by itinerant photographer William Bullard of Worcester, Massachusetts, these photographs address larger themes involving race in American history, many of which remain relevant today: the story of people of color claiming their rightful place in society and creating a community in new surroundings. William Bullard's heretofore unpublished collection of more than 230 glass negatives presenting the African American and Nipmuc communities of Worcester, Massachusetts, at the turn of the century provides an exceptional opportunity to significantly deepen our understanding of the use of photography at a political and personal level. Unlike most extant photographic collections of black Americans taken in this period, the subjects in Bullard's photographs are identified in his logbook, allowing this book to tell specific stories about individuals and re-create a more accurate historical context. Exhibition: Worcester Art Museum, United States (14.10.2017 - 25.02.2018).

Native is about identity, soul-searching, and the never-ending journey of finding ourselves and finding God. As both a citizen of the Potawatomi Nation and a Christian, Kaitlin Curtice offers a unique perspective on these topics. In this book, she shows how reconnecting with her Potawatomi identity both informs and challenges her faith. Curtice draws on her personal journey, poetry, imagery, and stories of the Potawatomi people to address themes at the forefront of today's discussions of faith and culture in a positive and constructive way. She encourages us to embrace our own origins and to share and listen to each other's stories so we can build a more inclusive and diverse future. Each of our stories matters for the church to be truly whole. As Curtice shares what it means to experience her faith through the lens of her Indigenous heritage, she reveals that a vibrant spirituality has its origins in identity, belonging, and a sense of place.

A compelling study that charts the influence of Indigenous thinkers on Franz Boas, the father of American anthropology

Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads. William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about "those little towns that get on the map -- if they get on at all -- only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi." His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation of the true American experience.

Mixing cultural criticism, literary history, biography, and memoir, an exploration of Alice Walker’s critically acclaimed and controversial novel, The Color Purple Alice Walker made history in 1983 when she became the ï¬?rst black woman to win the Pulitzer Prize and the National Book Award for The Color Purple. Published in the Reagan era amid a severe backlash to civil rights, the Jazz Age novel tells the story of racial and gender inequality through the life of a 14-year-old girl from Georgia who is haunted by domestic and sexual violence. Prominent academic and activist Salamishah Tillet combines cultural criticism, history, and memoir to explore Walker’s epistolary novel and shows how it has influenced and been informed by the zeitgeist. The Color Purple received both praise and criticism upon publication, and the conversation it sparked around race and gender still continues today. It has been adapted for an Oscar-nominated ï¬?lm and a hit Broadway musical. Through archival research and interviews with Walker, Oprah Winfrey, and Quincy Jones (among others), Tillet studies Walker’s life and how themes of violence emerged in her earlier work. Reading The Color Purple at age 15 was a groundbreaking experience for Tillet. It continues to resonate with her—as a sexual violence survivor, as a teacher of the novel, and as an accomplished academic. Provocative and personal, In Search of The Color Purple is a bold work from an important public intellectual, and captures Alice Walker’s seminal role in rethinking sexuality, intersectional feminism, and racial and gender politics.

Jack D. Forbes's monumental Africans and Native Americans has become a canonical text in the study of relations between the two groups. Forbes explores key issues relating to the evolution of racial terminology and European colonialists' perceptions of color, analyzing the development of color classification systems and the specific evolution of key terms such as black, mulatto, and mestizo--terms that no longer carry their original meanings. Forbes also presents strong evidence that Native American and African contacts began in Europe, Africa, and the Caribbean.