Concept of Redemption in the Selected Works of Nathaniel Hawthorne and Graham Greene: A Comparative Perspective in the Light of the Catholic Theme of Redemption as Elucidated by John deMatha and the ‘Trinitarians’ is an English Literature book that analyzes the selected works of Nathaniel Hawthorne and Graham Greene. The intended objective is to demonstrate how the Catholic theme of redemption influence these authors, the primary source for which is the Holy Bible. A critical and interpretative framework for the thematic analysis of literary texts focused on the idea of redemption has been created based on the above findings. Applying the framework on these authors suggests that life is a journey from egoism to glorification, which is also a journey to self-emptying. It is a gradual transformation of the ‘human self’ to the ‘divine self’. The book’s conclusion consolidates the findings of the analysis and makes a comparative evaluation of the contrasting readings of the novels of Nathaniel Hawthorne and Graham Greene. It also gives new levels of fiction readings with the theme of redemption. The framework structure created in chapter IV to analyze the various nuances of redemption in English Literature will serve as a tool to explore further works.

Transgression and Redemption in American Fiction is a critical study of classic American novels. Ferraro returns to Hawthorne's closet of secreted sin to reveal The Scarlet Letter as a deviously psychological turn on the ancient Meditererranean Catholic folk tales of female wanderlust, cuckolding priests, and demonic revenge. This lights the way to explore what Ferraro calls "the Protestant temptation to Marian Catholicism" in seven modern American masterworks, including Chopin's The Awakening, Fitzgerald's The Great Gatsby, Cather's The Professor's House, and Hemingway's The Sun Also Rises. Transgression and Redemption in American Fiction explores stories of forbidden passion and sacrificial violence, with ultra-radiant women (and sometimes men) at their focus. It examines how these novels speak to readers across religious and social spectrums, generating an inclusive mode of address and near-universal relevance. Ferraro breaks the codes of contemporary criticism in his thematic focus and critical style, going beyond Protestantism and even Judeo-Christian Orthodoxy itself. Transgression and Redemption in American Fiction encourages the attentive reader to think about the American imagination, the myriad arts of writing about the passion plays of love, and even our canonical structures for reading and thinking about literature in new ways.

There was nothing Jarek Mace wouldn't do for the right price—including becoming a hero. The Angostin hordes raged over the Southern Borders. Evil sorcery ruled, and the vampyre kings lived once more. The Highland people were in much need of a great hero. Jarek Mace needed nothing and no one—not even that bard Owen Odell, with whom he now traveled. But when Mace harassed the Angostins for his own purposes, he inadvertently aided the Highland people. And now he was being hailed as a hero, a legend, the great Morningstar returned. But Owen Odell knew the real man behind the people's tales. Mace was an outlaw, a bandit, a heartless thief. He was no savior of the people. He was no legend. Or was he? “It seems that every time I read a new David Gemmell novel it is better than the last—and Morningstar is no exception. . . . The main difference between the book and the myths it draws upon is that Gemmell includes some of the less savory characters who we suspect may have been at the basis of both Robin and Arthur.”—Starburst

In her first-ever collection of essays, poet and novelist Lorna Goodison interweaves the personal and political to explore themes that have occupied her working life: her love of poetry and the arts, colonialism and its legacy, racism and social justice, authenticity, and the enduring power of friendship. Taking her title from one of Kingston's oldest markets, a historic meeting place that was almost destroyed by fire, she introduces us to a vivid cast of characters and remembers moments of epiphany—in a cinema in Jamaica, at New York's Bottom Line club, and as she searched for a black hairdresser in Paris and drank tea in London's Marylebone High Street. Enlightening and entertaining, these essays explore not only daily challenges but also the compassion that enables us to rise above them. Goodison's poet's eye, profound vision and glorious combination of metaphysical and post-colonial sensibilities confirm her as a major figure in world literature.

Including: A response to critics, and: Ten rules for "serious" writers, the author continues his fight on behalf of the American reader, arguing against pretension in so-called "literary" fiction, naming names and exposing the literary status quo.

Set in the universe of the New York Times bestselling Three-Body Problem trilogy, The Redemption of Time continues Cixin Liu’s multi-award-winning science fiction saga. This original story by Baoshu—published with Liu’s support—envisions the aftermath of the conflict between humanity and the extraterrestrial Trisolarans. In the midst of an interstellar war, Yun Tianming found himself on the front lines. Riddled with cancer, he chose to end his life, only to find himself flash frozen and launched into space where the Trisolaran First Fleet awaited. Captured and tortured beyond endurance for decades, Yun eventually succumbed to helping the aliens subjugate humanity in order to save Earth from complete destruction. Granted a healthy clone body by the Trisolarans, Yun has spent his very long life in exile as a traitor to the human race. Nearing the end of his existence at last, he suddenly receives another reprieve—and another regeneration. A consciousness calling itself The Spirit has recruited him to wage battle against an entity that threatens the existence of the entire universe. But Yun refuses to be a pawn again and makes his own plans to save humanity’s future... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Many Americans wish to believe that the United States, founded in religious tolerance, has gradually and naturally established a secular public sphere that is equally tolerant of all religions--or none. Culture and Redemption suggests otherwise. Tracy Fessenden contends that the uneven separation of church and state in America, far from safeguarding an arena for democratic flourishing, has functioned instead to promote particular forms of religious possibility while containing, suppressing, or excluding others. At a moment when questions about the appropriate role of religion in public life have become trenchant as never before, Culture and Redemption radically challenges conventional depictions--celebratory or damning--of America's "secular" public sphere. Examining American legal cases, children's books, sermons, and polemics together with popular and classic works of literature from the seventeenth to the twentieth centuries, Culture and Redemption shows how the vaunted secularization of American culture proceeds not as an inevitable by-product of modernity, but instead through concerted attempts to render dominant forms of Protestant identity continuous with democratic, civil identity. Fessenden shows this process to be thoroughly implicated, moreover, in practices of often-violent exclusion that go to the making of national culture: Indian removals, forced acculturations of religious and other minorities, internal and external colonizations, and exacting constructions of sex and gender. Her new readings of Emerson, Whitman, Melville, Stowe, Twain, Gilman, Fitzgerald, and others who address themselves to these dynamics in intricate and often unexpected ways advance a major reinterpretation of American writing.