"It began with the unmourned death of Rosen, one of Moscow's new breed of black marketeers; seemingly a clear-cut case of murder. Although Renko has been recently reinstated at the Moscow Prosecutor's office, the case begins to slip from his grasp. But his determination never to let go leads him to Munich and Berlin - back into the life of Irina, a woman he though he had lost forever . . ."--Publisher's website.

A profoundly original philosophical detective story tracing the surprising history of an anecdote ranging across centuries of traditions, disciplines, and ideas Red Sea-Red Square-Red Thread is a work of passages taken, written, painted, and sung. It offers a genealogy of liberty through a micrology of wit. It follows the long history of a short anecdote. Commissioned to depict the biblical passage through the Red Sea, a painter covered over a surface with red paint, explaining thereafter that the Israelites had already crossed over and that the Egyptians were drowned. Clearly, not all you see is all you get. Who was the painter and who the first teller of the tale? Designed as a philosophical detective story, Red Sea-Red Square-Red Thread follows the extraordinary number of thinkers and artists who have used the Red Sea anecdote to make so much more than a merely anecdotal point. Leading the large cast are the philosophers, Arthur Danto and Søren Kierkegaard, the poet and playwright, Henri Murger, the opera composer, Giacomo Puccini, and the painter and print-maker, William Hogarth. Strange companions perhaps, until their use of the anecdote is shown as working its extraordinary passage through so many cosmopolitan cities of art and capital. What about the anecdote brings Danto's philosophy of art into conversation with Kierkegaard's stages on life's way, with Murger and Puccini's la vie de bohème, and with Hogarth's modern moral pictures? Lydia Goehr explores these narratives of emancipation in philosophy, theology, politics, and the arts. What has the passage of the Israelites to do with the Egyptians who, by many gypsy names, came to be branded as bohemians when arriving in France from the German lands of Bohemia? What have Moses and monotheism to do with the history of monism and the monochrome? And what sort of thread connects a sea to a square when each is so purposefully named red?

International educators can take the high road towards rigorous investment in the ideals of true cultural exchange or continue down the low road to customer satisfaction and design programs that reduce or eliminate challenges. International education structured according to the latter principle is little more than just another product in the global marketplace. In spite of the process of "globalization" and partly because of it, international education faces a major crisis. This volume, with contributors from Austria, Chile, France, Germany, The Netherlands, and the United States, sets forth a timely and provocative critique of international education and assesses its future under radically different conditions than those in place twenty years ago. Walter Grnzweig is professor of American literature and culture at Universitt Dortmund. He holds adjunct professorships at the University of Pennsylvania, University of New York at Binghamton and Canisius College. Nana Rinehart is associate director of the International Student Exchange Program.

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK • “Sharply, evocatively written and elaborately plotted . . . [Red Square] should find as many friends as did Gorky Park.”—The Washington Post Book World Back from exile in the hellish reaches of the Soviet Union, homicide investigator Arkady Renko discovers that his country, his Moscow, even his job, are nearly dead. But his enemies are very much alive, and foremost among them are the powerful black-market crime lords of the Russian mafia. Hounded by this terrifying new underworld, chased by the ruthless minions of the newly rich and powerful, and tempted by his great love, defector Irina Asanova, Arkady can only hope desperately for escape. But fate has something else in store. “Gripping . . . Smith at his best.”—The Wall Street Journal “A crackling suspense thriller.”—The Boston Globe “Fascinating . . . powerful.”—The Philadelphia Inquirer “Absorbing.”—The New York Times “Extraordinary.”—Time

A beginner's guide to the decline and fall of the Soviet Union In 1990, Kim traill set off for the former Soviet Union with a smattering of vocabulary, a lust for wild adventure and a swag of youthful idealism about the great Communist experiment. It would take some time for the scales to fall from her eyes. Over the next 17 years Kim discovered a Russia few tourists see. She ate some of the world's worst food, went to places few of us would venture, made good friends and met a lot of seriously dodgy people. On collective farms and on 40-hour train journeys, at red carpet parties and in marriage agencies, on nuclear bases and in the frozen wastes of Siberia, she navigated the country's changing fortunes, bearing witness to the horrific events of war, nuclear accidents, drug and alcohol addiction and ethnic rivalries. She even tried to make herself into a good Russian woman, abandoning her uniform of jeans, boots and Russian prison coat for heels and a skin-tight dress. RED SQUARE BLUES a full-blooded charge through a crumbling empire as it lurches from dark power to open society and back again. It is an eye-opening portrait of an eternally surprising country, leavened with the kind of bone-dry humour only life in a repressive police state can produce.