This poetry anthology strives to encompass the entire range of Native American experience in California, including both tribes indigenous to California and many from elsewhere now residing in the state. The poetry tells not only about the struggles of maintaining cultural identity against overwhelming odds, but also celebrates humor, music, dance, art, family, life, and the beauty of the land. --

The “fascinating” #1 New York Times bestseller that awakened the world to the destruction of American Indians in the nineteenth-century West (The Wall Street Journal). First published in 1970, Bury My Heart at Wounded Knee generated shockwaves with its frank and heartbreaking depiction of the systematic annihilation of American Indian tribes across the western frontier. In this nonfiction account, Dee Brown focuses on the betrayals, battles, and massacres suffered by American Indians between 1860 and 1890. He tells of the many tribes and their renowned chiefs—from Geronimo to Red Cloud, Sitting Bull to Crazy Horse—who struggled to combat the destruction of their people and culture. Forcefully written and meticulously researched, Bury My Heart at Wounded Knee inspired a generation to take a second look at how the West was won. This ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection.

"So compelling it gave me goosebumps from the very first pages." —ISABEL ALLENDE A family saga: four generations of mixed–race African American, Native American, and Irish women experience intergenerational trauma as well as the healing brought by nature and music, leading to triumphant resilience. Mostly White begins in 1890 when Emma, a mixed–race Native American and African American girl, is beaten by nuns and confined in a closet for speaking her language at an Indian Residential school in Maine. From there, a tale that spans four generations of women unfolds. Emma's descendants suffer the effects of trauma, poverty, and abuse while fighting to form their own identities and honor the call of their ancestors. ALISON HART studied theater at New York University and later found her voice as a writer. She identifies herself as a mixed–race African American, Passamaquoddy Native American, Irish, Scottish, and English woman of color. Her poetry collection Temp Words was published by Cosmo Press in 2015, and her poems appear in Red Indian Road West: Native American Poetry from California (Scarlet Tanager Books, 2016) and elsewhere. Hart lives in Alameda, California.

Winner of the 2021 Bancroft Prize and the 2021 Ridenhour Book Prize Finalist for the 2020 National Book Award for Nonfiction Named a Top Ten Best Book of 2020 by the Washington Post and Publishers Weekly and a New York Times Critics' Top Book of 2020 A masterful and unsettling history of “Indian Removal,” the forced migration of Native Americans across the Mississippi River in the 1830s and the state-sponsored theft of their lands. In May 1830, the United States launched an unprecedented campaign to expel 80,000 Native Americans from their eastern homelands to territories west of the Mississippi River. In a firestorm of fraud and violence, thousands of Native Americans lost their lives, and thousands more lost their farms and possessions. The operation soon devolved into an unofficial policy of extermination, enabled by US officials, southern planters, and northern speculators. Hailed for its searing insight, Unworthy Republic transforms our understanding of this pivotal period in American history.

Winner of the 2008 Washington State Book Award for History/Biography In traditional scholarship, Native Americans have been conspicuously absent from urban history. Indians appear at the time of contact, are involved in fighting or treaties, and then seem to vanish, usually onto reservations. In Native Seattle, Coll Thrush explodes the commonly accepted notion that Indians and cities-and thus Indian and urban histories-are mutually exclusive, that Indians and cities cannot coexist, and that one must necessarily be eclipsed by the other. Native people and places played a vital part in the founding of Seattle and in what the city is today, just as urban changes transformed what it meant to be Native. On the urban indigenous frontier of the 1850s, 1860s, and 1870s, Indians were central to town life. Native Americans literally made Seattle possible through their labor and their participation, even as they were made scapegoats for urban disorder. As late as 1880, Seattle was still very much a Native place. Between the 1880s and the 1930s, however, Seattle's urban and Indian histories were transformed as the town turned into a metropolis. Massive changes in the urban environment dramatically affected indigenous people's abilities to survive in traditional places. The movement of Native people and their material culture to Seattle from all across the region inspired new identities both for the migrants and for the city itself. As boosters, historians, and pioneers tried to explain Seattle's historical trajectory, they told stories about Indians: as hostile enemies, as exotic Others, and as noble symbols of a vanished wilderness. But by the beginning of World War II, a new multitribal urban Native community had begun to take shape in Seattle, even as it was overshadowed by the city's appropriation of Indian images to understand and sell itself. After World War II, more changes in the city, combined with the agency of Native people, led to a new visibility and authority for Indians in Seattle. The descendants of Seattle's indigenous peoples capitalized on broader historical revisionism to claim new authority over urban places and narratives. At the beginning of the twenty-first century, Native people have returned to the center of civic life, not as contrived symbols of a whitewashed past but on their own terms. In Seattle, the strands of urban and Indian history have always been intertwined. Including an atlas of indigenous Seattle created with linguist Nile Thompson, Native Seattle is a new kind of urban Indian history, a book with implications that reach far beyond the region. Replaced by ISBN 9780295741345

1996 Minnesota Book Award winner — A Native American book The heart of the Native American experience: In this 1996 Minnesota Book Award winner, Kent Nerburn draws the reader deep into the world of an Indian elder known only as Dan. It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author, Kent Nerburn. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal If you enjoyed Empire of the Summer Moon, Heart Berries, or You Don’t Have to Say You Love Me, you’ll love owning and reading Neither Wolf nor Dog by Kent Nerburn.

Poetry. THE NUMBER BEFORE INFINITY reads like a novel or memoir in verse. Each poem is a chapter in the story of two lovers united by passion but separated by previous commitments. In lyrical, accessible verse, the book follows the lovers as they choose between their deepening connection and their existing loyalties. Reading Zack Rogow's THE NUMBER BEFORE INFINITY, I was reminded of young [Pablo] Neruda's love poems; here is that passion, tempered and informed by the briars and grace of marriage and family. Bravo. Love. Bravo. Poetry.--Cornelius Eady