A new collection from a noted feminist author and winner of the prestigious Journey Prize for short fiction.

Gathering the best twenty stories from Cynthia Flood’s career, these spare, stylistically inventive stories explore subjects ranging from the domestic to the political. In this collection, Flood navigates a wide range of subject matter with a writing style which gradually becomes more intense, tighter, and sometimes experimental with each story. Most themes are familiar—love, hate, children, the natural world, parents, failure, despair, anger, regret. Other stories are more unusual, dealing with topics such as far-left political activity. Containing what may be some of Flood’s most poignant work, You Are Here is a sharp and engaging exploration of the world today.

Editor John Metcalf has inspired, challenged, and championed countless writers over his long career. In Off the Record, he encourages six to reveal what one rarely discusses in polite society: how they became writers instead of radio announcers or cabinet makers. The essays collected here, each accompanied by a short story, offer fascinating insight into the relationships between writers, their editors, and their fiction. Off the Record brings together work by six noted Canadian writers, among them the winners of the Rogers Writers’ Trust Fiction Prize, the Butler Book Prize, and the Marian Engel Award: Caroline Adderson, Kristyn Dunnion, Cynthia Flood, Shaena Lambert, Elise Levine, and Kathy Page. Their essays are candid, moving, and surprisingly relatable—providing plenty of inspiration for those among us who want to write.

As Katie's father and Drew's mother vie for the Presidency, the sixteen-year-olds start--and end--a romance, but the press finds out, both candidates' poll numbers rise, and the two are asked to flaunt their former relationship.

"John Metcalf has written some of the very best stories ever published in this country."—Alice Munro The Argus-eyed editor; the magisterial prose stylist; the waggish, inflammatory cultural critic; the mentor and iconoclast. John Metcalf is a literary legend whose memoir maps the underground he labored tirelessly to establish.

No other person has done more to celebrate and encourage the short story in Canada than John Metcalf. For more than five decades he has worked tirelessly as editor, anthologist, writer, critic, and teacher to help shape our understanding of the form and what it can do. The long-time editor of the yearly Best Canadian Stories anthology, as well as a fiction editor at some of the pre-eminent literary presses in the country for more than forty years, he has worked to support and champion several generations of our best writers. Literature in Canada would be far less without his efforts. Sifting through a lifetime of reading, writing, and thinking about the short story in this country, and where it fits within the larger currents of world literature, Metcalf’s magisterial The Canadian Short Story offers the most authoritative book on the subject to date. Most importantly, it includes an expanded and reconsidered Century List, Metcalf’s critical guide to the best Canadian short story collections of the last 100 years. But more than a critical book, The Canadian Short Story is a love-letter to the form, a passionate defense of the best of our literature, and a championing of those books and writers most often over-looked. It is a guide not only to what to read, but also one, its author’s most fervent desire, which aims to make better readers of us all.

Firmly rooted in historical events, Atacama tells the story of Manuel Garay, the son of a communist miner/union leader and an anarchist organizer of working-class women, and Lucía Céspedes, the daughter of a fascist army officer and a socialite. A fateful turn of events leads to twelve-year-old Lucía befriending twelve-year-old Manuel, inextricably connecting them to a common denominator: Lucía’s adoring father and the perpetrator of the heinous crimes that have caused both children immeasurable suffering. Manuel and Lucía forge a friendship that grows as they come of age and realize that their lives are not only linked by Ernesto Céspedes’ actions, but also by a deep understanding of the other’s emotional predicaments, their commitment to social justice and their belief in the power of writing and art. Set in the first half of the twentieth century, but resonating loudly with today’s changing times, beautifully crafted Atacama covers themes related to class, gender, trauma, survival and the role of art in society.