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Classical Archaeologists, art historians and artists consider the Role of the Artist' in the rediscovery of the past.

This is the first full and detailed commentary on the second book of Tibullus' elegies since K.F. Smith's edition of 1913. It takes into account every significant advance in scholarship since then on Tibullus, elegy in general. The book provides an authoritative Latin text, based on the definitive Oxford Classical Text, an Introduction covering such topics as the chronology of Book II, its completeness and construction, and the main characters of the poems; and a comprehensive Commentary discussing all aspects of linguistic and literary interest in the poems: the problems of reference and the interpretation for instance, as well as notes on diction, style, themes, and metre. There are also introductory essays on each poem, discussing the background situation, genre, and main models. A critical appendix looks at all the textual points that substantially affect the understanding and appreciation of the elegies, a structural appendix explores the structure of the individual poems, and there are full indices.

Edited with Introduction and Notes by W. A. Camps

These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.

Lush Diodorus sets the lads on fire, But now another has him in his net - Timarion, the boy with wanton eyes . . . Meleager, AP 12.109 Encompassing four thousand short poems and more, the ramshackle classic we call the Greek Anthology gathers up a millennium of snapshots from ancient daily life. Its influence echoes not merely in the classic tradition of the English epigram (Pope, Dryden) but in Rudyard Kipling, Ezra Pound, Virgina Woolf, T. S. Eliot, H.D., and the poets of the First World War. Its variety is almost infinite. Victorious armies, ruined cities, and Olympic champions share space with lovers' quarrels and laments for the untimely dead - but also with jokes and riddles, art appreciation, potted biographies of authors, and scenes from country life and the workplace. This selection of more than 600 epigrams in verse is the first major translation from the Greek Anthology in nearly a century. Each of the Anthology's books of epigrams is represented here, in manuscript order, and with extensive notes on the history and myth that lie behind them.