Selected writings illuminate a century of international dance.

A groundbreaking look at the transition to sound in the French Cinema.

Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

The cradle of ballet, tracing the origin of ballet as a theatre art back to its foundation by Louis XIV in 1669.

This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.