One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.

Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

"With the original text of Sion, Bibliotheque cantonale du Valais, MS Supersaxo 103."

Contents Include: Book 1: Of writing Lives in General, and Particularly of Pamela - Of Mr. Joseph Andrews, His Birth, Parentage, Education and Great Endowments - Of Mr. Abraham Adams the Curate, Mrs. Slipslop the Chambermaid and Others - What Happened after their Journey to London - The Death of Sir Thomas Booby - How Joseph Andrews writ a Letter to His Sister Pamela - A Dialogue Between the Lady and her Maid - The Interview Between the Lady and Joseph - What Passed Between the Lady and Mrs Slipslop - Joseph Writes another letter - Of Several New matters not Expected - Containing many Surprising Adventures - What happened to Joseph During his Sickness at the Inn - Being Very Full of Adventures which Succeeded each Other at the Inn - Showing how Mrs. Tow-Wouse was a Little Mollified - The Escape of the Thief, Mr. Adam's Disappointment - A Pleasant Discourse between the two Parsons and the Bookseller - The History of Betty the Chambermaid and an Account of what Occasioned the Violent Scene in the Preceding Chapter - Book II: Of Divisions in Authors - A Surprising Instance of Mr. Adam's Short memory - The Opinion of Two Lawyers Concerning the Same Gentleman - The History of Leonora, or the Unfortunate Jilt - A Dreadful Quarrel which Happened at the Inn - Conclusion of the Unfortunate Jilt - A Very Short Chapter in which Parson Adams went a Great Way - A Notable Dissertation by Mr. Abraham Adams - In Which the Gentleman Discants on Bravery - Giving an Account of the Strange Catastrophe preceding - What happened to them While Before the Justice - A Very Delightful Adventure - A Dissertation Concerning High People and Low People - An Interview Between Parson Adams and Parson Trulliber - AnAdventure, the Consequence of a new Instance which parson Adams gave of his Forgetfulness - In Which Mr. Adams gave a much Greater Instance of the Honest simplicity of his Heart, than of his Experience in the Ways of this World - A Dialogue Between Mr. Abraham Adams and his Host - Book III: Matter Prefatory in Praise of Biography - A Night Scene, Wherein Several Wonderful Adventures Befel Adams and his Fellow-Travellers - In Which the Gentleman Realtes the History of his Life - A Description of Mr. Wilson's Way of Living. The Tragical Adventure of the Dod and other Grave Matters - A Disputation on Schools held on the Road - Moral Reflections by Joseph Andrews - A Scene of Rosting, very Nicely Adapted to the Present taste and Times - Which some Readers will think too Short and others too Long - Containing as Surprising and Bloody Adventures as can Be found in this or Perhaps any other Authentic History - A Discourse Between the Poet and the Player - The Exhortations of Parson Adams to his Friend in Affliction - More Adventures which we Hope will Please the reader - A Dialogue Between Mr. Abraham Adams and Mr. Peter Pounce - Book IV: The Arrival of Lady Booby and the rest at Booby-Hall - A Dialogue Between Mr. Abraham Adams and the Lady Booby - What Passed Between the Lady and Lawyer Scout - The Arrival of Mr. Booby and his Lady - Containing Justice Business - Of Which you are Desired to Read no More than you Like - Philosophical Reflections - A Discourse between Mr. Adams, Mrs. Adams, Joseph and Fanny - A Visit which the Polite Lady Booby and Her Polite Friend Paid to the Parson - The History of the Two friends - In Which the History is Continued - Where the Good-Natured Reader will seeSomething which will Give him No Great Pleasure - The History Returns to the Lady Booby - Containing Several Curious Night-Adventures - The Arrival of Gaffar and Gammar Andrews - Being the last, in Which this True History is Brought to a happy Conclusion

Museums display much more than artifacts; Museum Culture makes us on a tour through the complex of ideas, values and symbols that pervade and shape the practice of exhibiting today. Bringing together a broad range of perspectives from history, art history, critical theory and sociology, the contributors to this new collection argue that museums have become a central institution and metaphor in contemporary society. Discussing exhibition histories and practice in Western Europe, the former Soviet Union, Israel and the United States, the authors explore the ways in which museums assign meaning to art through various kinds of exhibitions and display strategies, examining the political implications of these strategies and the forms of knowledge they invoke and construct. The collection also discusses alternative exhibition forms, the involvement of some museums with the more spectacular practices of mass media culture, and looks at how museums construct their public.

Poetry. Translated from the French by Peter Manson. THE POEMS IN VERSE is Peter Manson's translation of The Poésies of Stéphane Mallarmé. Long overshadowed by Mallarmé's theoretical writings and by his legendary visual poem "Un coup de Dés jamais n'abolira le Hasard," the Poésies are lyrics of a uniquely prescient and generative modernity. Grounded in a scrupulous sounding of the complex ambiguities of the original poems, Manson's English translations draw on the resources of the most innovative poetries of our own time these may be the first translations really to trust the English language to bear the full weight of Mallarméan complexity. With THE POEMS IN VERSE, Mallarmé's voice is at last brought back, with all its incisive strangeness, into the conversation it started a hundred and fifty years ago, called contemporary poetry."