This book explores the role of cultural heritage in post-conflict reconstruction, whether as a motor for the prolongation of violence or as a resource for building reconciliation. The research was driven by two main goals: to understand the post-conflict reconstruction process and to identify how this process evolves in the medium term and the impact it has on society. The Spanish Civil War (1936-39) and its subsequent phases of reconstruction provides the primary material for this exploration. In pursuit of the first goal, the book centers on the material practices and rhetorical strategies developed around cultural heritage in post-civil war Spain and the victorious Franco regime's reconstruction. The analysis captures a discursively complex set of practices that made up the reconstruction and in which a variety of Spanish heritage sites were claimed, rebuilt or restored, and represented - as signs of historical narratives, political legitimacy, and group identity. The reconstruction of the town of Gernika is a particularly emblematic instance of destruction and a significant symbol within the Basque regions of Spain, as well as internationally. By examining Gernika, it is possible to identify some of the trends common to the reconstruction as a whole, along with those aspects that pertain to its singular symbolic resonance. In order to achieve the second goal, the book examines the processes of selection, value change, and exclusionary dynamics of reconstruction. Exploring the possible impact of post-civil war reconstruction in the medium term is conducted in two time frames: the period of political transition that followed General Franco's death in 1975, and the 2004-2008 period when Rodriguez Zapatero's government undertook initiatives to 'recover the historic memory' of the war and dictatorship. Finally, the observations made of the Spanish reconstruction are analyzed in terms of how they might reveal general trends in post-conflict reconstruction processes in relation to cultural heritage. These insights are pertinent to the situations in Cambodia, Bosnia and Herzegovina, Afghanistan, and Iraq.

"This is the most complete, in-depth, sophisticated study of Spanish cinema available in any language."—Marvin D'Lugo, author of The Films of Carlos Saura

Examines the wartime destruction and post-war rebuilding of three prominent sites in Madrid, Bilbao and Barcelona in the Spanish Civil War and its aftermath. This title reveals aspects of the Spanish Civil War and the evolution of the Franco regime from an original and fruitful angle.

Contemporary Spanish Cinema offers an essential analysis of the main trends and issues in Spanish film since the death of Franco in 1975. While taking account of cinema during the Franco dictatorship, the book focuses principally on developments in the last two decades. Acknowledging the sheer breadth and diversity of Spanish film production since the ending of the regime and the transition to democracy, this study includes chapters on Spanish film’s obsessive concern with the past on popular genre film (including the comedy and the thriller), on representations of gender and sexuality and the work of women film professionals, both behind and in front of the camera, as well as on film produced in Spain’s autonomous communities, particularly in Catalonia and the Basque Country. This book offers a unique and up-to-date focus on a wide range of materials, including work on such established directors as Carlos Saura, Víctor Erice, Pedro Almodóvar, Pilar Miró, Bigas Lina and Josefina Molina as well as exciting new talents such as Julio Medem, Juanma Bajo Ulloa, Alex de la Iglesia, Icíar Bollan, Isabel Coixet and Marta Balletbò-Coll.

Offers a social history of the Mexican mission enterprise, emphasizing the centrality of indigenous politics, economics, and demographic catastrophe.

This book examines the transformation of the Catalan nation in socio-economic, political and historical terms, and offers an innovative interpretation of the determinants of its nationalist mobilisation. With Franco's and Spanish nationalism's victory in 1939, and the consolidation of a long-lasting dictatorship, it appeared certain that the Catalan national movement would be crushed. Yet, this did not happen and Catalan nationalism and identity re-emerged at the end of Franco's dictatorship in 1975 more firmly rooted than before. The core of this book traces the Francoist repression and the nationalist response to it, demonstrating how new political actors reconfigured Catalan nationalism over the course of the Franco regime (1939--1975). Post-Franco, Catalan cultural and political identity was consolidated and Catalonia became the most successful state-less nationalism in western Europe. The 21st century has been marked by an ever-growing independence movement, culminating in the vast demonstration in the city of Barcelona in July 2010. Andrew Dowling provides multi-faceted viewpoints in historic perspective, and reflects on possible steps and outcomes for this new pro-independence turn in Catalan nationalism. This study will appeal not only to students of Spain but also to those interested in nationalism as a separate issue of enquiry. The themes treated in the book -- Franco's Spain, nationalism, anarchism, Catholicism, communism and the Catalan role in Spain's transition to democracy -- make this work an essential point of reference for students and researchers in Hispanic studies, modern European history and political science. Published in association with the Catalan Observatory, London School of Economics.

Drawing on a range of previously underused primary sources, this title shows that not only was Valencia a hugely important source of anarchist support, but that the local movement was far more radical than has previously been thought.