Early in the nineteenth century, the mountain men emerged as a small but distinctive group whose knowledge and experience of the trans-Mississippi West extended the national consciousness to continental dimensions. Though Lewis and Clark blazed a narrow corridor of geographical reality, the West remained largely terra incognita until trappers and traders--Jim Bridger, Kit Carson, Tom Fitzpatrick, Jedediah Smith--opened paths through the snow-choked mountain wilderness. They opened the way west to Fremont and played a major role in the pivotal years of 1845-1848 when Texas was annexed, the Oregon question was decided, and the Mexican War ended with the Southwest and California in American hands, the Pacific Ocean becoming our western boundary.

In 1807, a year after Lewis and Clark returned from the shores of the Pacific, groups of trappers and hunters began to drift West to tap the rich stocks of beaver and to trade with the Native nations. Colorful and eccentric, bold and adventurous, mountain men such as John Colter, George Drouillard, Hugh Glass, Andrew Henry, and Kit Carson found individual freedom and financial reward in pursuit of pelts. Their knowledge of the country and its inhabitants served the first mapmakers, the army, and the streams of emigrants moving West in ever-greater numbers. The mountain men laid the foundations for their own displacement, as they led the nation on a westward course that ultimately spread the American lands from sea to sea.

"Whether fulfilling subsistence needs or featured in stories of grand adventure, hunting loomed large in the material and the imagined landscape of the nineteenth-century West. Epiphany in the Wilderness explores the social, political, economic, and environmental dynamics of hunting on the frontier in three “acts,” using performance as a trail guide and focusing on the production of a “cultural ecology of the chase” in literature, art, photography, and taxidermy.Using the metaphor of the theater, Jones argues that the West was a crucial stage that framed the performance of the American character as an independent, resourceful, resilient, and rugged individual. The leading actor was the all-conquering masculine hunter hero, the sharpshooting man of the wilderness who tamed and claimed the West with each provident step. Women were also a significant part of the story, treading the game trails as plucky adventurers and resilient homesteaders and acting out their exploits in autobiographical accounts and stage shows.Epiphany in the Wilderness informs various academic debates surrounding the frontier period, including the construction of nature as a site of personal challenge, gun culture, gender adaptations and the crafting of the masculine wilderness hero figure, wildlife management and consumption, memorializing and trophy-taking, and the juxtaposition of a closing frontier with an emerging conservation movement."