Occasioned by the spirit of celebrating Keats's 200th birthday (31 October 1995), Jeffrey C. Robinson's Reception and Poetics in Keats offers at once a history and readings of the many praise and commemorative poems to or about Keats (collected in an appendix) from the time of his early death up to the present day and a consequent rethinking of Keats's own poems and poetics. Keats emerges as a poet uniquely available and useful to the experimental poets of our own time.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. John Keats was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley. Contents: Ode Ode on a Grecian Urn Ode to Apollo Ode to Fanny Ode on Indolence Ode on Melancholy Ode to Psyche Ode to a Nightingale Sonnet: When I have fears that I may cease to be Sonnet on the Sonnet Sonnet to Chatterton Sonnet Written in Disgust of Vulgar Superstition Sonnet: Why did I laugh tonight? No voice will tell Sonnet to a Cat Sonnet Written upon the Top of Ben Nevis Sonnet: This pleasant tale is like a little copse Sonnet - The Human Seasons... Translation from a Sonnet of Ronsard Lamia Isabella Endymion Hyperion Stanzas Spenserian Stanza Spenserian Stanzas on Charles Armitage Brown Stanzas to Miss Wylie Robin Hood The Eve of St. Agnes Modern Love On First Looking into Chapman's Homer Imitation of Spenser The Gadfly Ben Nevis - a Dialogue Fill for me a brimming bowl On Leaving Some Friends at an Early Hour To My Brothers La Belle Dame Sans Merci Bright star! would I were steadfast as thou art Staffa To George Felton Mathew Faery Songs Acrostic Folly's Song The Devon Maid Song: Hush, hush! tread softly! hush, hush my dear! Lines On Seeing a Lock of Milton's Hair Addressed to Haydon On Death Epistle to John Hamilton Reynolds Lines Sleep and Poetry To G. A. W. To a Friend Who Sent Me Some Roses An Extempore To a Young Lady who Sent Me a Laurel Crown What the Thrush Said Song: The stranger lighted from his steed Song: I had a dove and the sweet dove died Written on the Day That Mr. Leigh Hunt Left Prison On Receiving a Laurel Crown from Leigh Hunt A Song of Opposites Epistles.... Plays: King Stephen Otho the Great Letters Biographies: Life of John Keats Life, letters, and literary remains, of John Keats

In focusing on the poetic treatment of self and literary form in Keats and Shelley, Mark Sandy shows how using Nietzsche's philosophy to illuminate Keats's correspondence and Shelley's A Defence of Poetry provides a conceptual basis for a comparative reading of the poets. Using key ideas from Nietzsche, Sandy explores Keats's Endymion and Shelley's Alastor as redefinitions of the romance genre. Further, he suggests that in their redescription of romance, Keats and Shelley discovered a radical mode of subjectivity that is present in Keats's major odes and Shelley's lyrical poetry as a conflict among poetic identity, art, and existence. In Sandy's reading, Shelley's Adonais and Keats's The Eve of St Mark emerge as diverse meditations on crises of posthumous reputation and future audience, whereas Keats's Hyperion fragments and Shelley's The Triumph of Life resolve these anxieties over authorial posterity by entrusting the reader with a new form of poetical self.

John Keats is generally considered to be the least intellectually sophisticated of all the major Romantic poets, but he was a more serious thinker than either his contemporaries or later scholars have acknowledged. This book provides a major reassessment of Keats's intellectual life by considering his engagement with a formidable body of eighteenth-century thought from the work of Voltaire, Robertson, and Gibbon to Hutcheson, Hume, and Smith.The book re-examines some of Keats's most important poems, including The Eve of St Agnes, Hyperion, Lamia, and Ode to Psyche, in the light of a range of Enlightenment ideas and contexts from literary history and cultural progress to anthropology, political economy, and moral philosophy. By demonstrating that the language and ideas of the Enlightenment played a key role in establishing his poetic agenda, Keats's poetry is shown to be less the expression of an intuitive young genius than the product of the cultural and intellectual contexts of his time.

John Keats (1795–1821) continues to delight and challenge readers both within and beyond the academic community through his poems and letters. This volume provides frameworks for enhanced analysis and appreciation of Keats and his work, with each chapter supplying a succinct, informed, and accessible account of a particular topic. Leading scholars examine the life and work of Keats against the backdrop of his influences, contemporaries, and reception, and explore the interaction of poet and world. The essays consider his enduring but ever-altering appeal, engage with critical discussion and debate, and offer revisionary close reading of the poems and letters. Students and specialists will find their knowledge of Keats's life and work enriched by chapters that survey subjects ranging from education, relationships, and religion to art, genre, and film.

The poems of John Keats have traditionally been regarded as most resistant of all Romantic poetry to the concerns of history and politics. But critical trends have begun to overturn this assumption. Keats and History brings together exciting work by British and American scholars, in thirteen essays which respond to interest in the historical dimensions of Keats's poems and letters, and open alternative perspectives on his achievement. Keats's writings are approached through politics, social history, feminism, economics, historiography, stylistics, aesthetics, and mathematical theory. The editor's introduction places the volume in relation to nineteenth- and early twentieth-century readings of the poet. Keats and History will be welcomed by students of English literature, and by all those interested in English Romanticism.