Much of modernist architecture was inspired by the emergence of internationalism: the ethics and politics of world peace, justice and unity through global collaboration. Mark Crinson here shows how the ideals represented by the Tower of Babel - built, so the story goes, by people united by one language - were effectively adapted by internationalist architecture, its styles and practices, in the modern period. Focusing particularly on the points of convergence between modernist and internationalist trends in the 1920s, and again in the immediate post-war years, he underlines how such architecture utilised the themes of a cooperative community of builders and a common language of forms.The 'International Style' was one manifestation of this new way of thinking, but Crinson shows how the aims of modernist architecture frequently engaged with the substance of an internationalist mindset in addition to sharing surface similarities. Bringing together the visionaries of internationalist projects - including Le Corbusier, Bruno Taut, Berthold Lubetkin, Walter Gropius and Mies van der Rohe - Crinson interweaves ideas of evolution, ecology, utopia, regionalism, socialism, free trade, and anti-colonialism to reveal the possibilities heralded by modernist architecture. Furthermore, he re-connects pivotal figures in architecture with a cast of polymath internationalists such as Patrick Geddes, Lewis Mumford, Julian Huxley, Rabindranath Tagore and H. G. Wells, to provide a richly detailed socio-cultural framework. This is a book crafted for students and scholars of architecture and art theory, as well as for those interested in the history of twentieth-century optimism about the world and its architecture.

This collection explores the relationship between religion and the arts and challenges presumptions held in society about these two fields. Topics covered include church architecture, folk art, nineteenth-century classical music, contemporary fiction, recent film, performance art, and the battles over public funding of the arts.

Between 1890 and 1950 modernist art and culture set out to challenge century-old notions of the individual and the community, culture and politics, morality and freedom, placing into question the very foundations of Western civilization. The essays in this volume present a novel assessment of various manifestations of modernism in Germany and Scandinavia by posing the question of its critical and political impact beyond traditional polarities such as right vs. left, illiberalism vs. Enlightenment, apolitical vs. engaged. In drawing on a wide range of disciplinary perspectives, including literary studies, art history, film and visual studies, urban studies, musicology, political theory, and the history of science and technology, the essays in this volume reexamine modernism's bold inquiry into areas such as the relation of art to technology and mass politics, the limits of liberal democracy, the reconceptualization of urban spaces, and the realignment of traditional art forms following the rise of new media such as film. The volume's contributors share a belief in the timeliness of modernism's critical impulse for a contemporary age confronted with ethical and political dilemmas that the modernists first articulated and to which they attempted to respond.

Babylon is a surprisingly multivalent symbol in U.S. culture and politics. Political citations of Babylon range widely, from torture at Abu Ghraib to depictions of Hollywood glamour and decadence. In political discourse, Babylon appears in conservative ruminations on democratic law, liberal appeals to unity, Tea Party warnings about equality, and religious advocacy for family values. A composite biblical figure, Babylon is used to celebrate diversity and also to condemn it, to sell sexuality and to regulate it, to galvanize war and to worry about imperialism. Erin Runions explores the significance of these shifts and contradictions, arguing that together they reveal a theopolitics that tries to balance the drive for U.S. dominance with the countervailing ideals and subjectivities of economic globalization. Examining the confluence of cultural formations, biblical interpretations, and (bio)political philosophies, The Babylon Complex shows how theopolitical arguments for war, sexual regulation, and political control both assuage and contribute to anxieties about waning national sovereignty. Theoretically sophisticated and engaging, this remarkable book complicates our understanding of how the Bible affects U.S political ideals and subjectivities.

What beliefs are core to the Christian faith? This book is here to help you understand the reason for your hope as a Christian so that you can see it with fresh sight and invite others into the conversation. A lot of Christians take their story—the narratives that give rise to their beliefs—for granted. They pray, go to church, perhaps even read their Bible. But they might be stuck if a stranger asked them to explain what they believe and why they believe it. Author, pastor, and theologian Mike Horton unpacks the essential and basic beliefs that all Christians share in a way that is easy to understand and applicable to our lives today. And in a way that will make you excited to be a Christian! Core Christianity covers topics like: Jesus as both fully God and fully man. The doctrine of the Trinity. The goodness of God despite a broken world. The ways God speaks. The meaning of salvation. What is the Christian calling? Includes discussion questions for individual or group use. This introduction to the basic doctrines of Christianity is perfect for those who are new to the faith, as well as those who have an interest in deepening their understanding of what it means to be a follower of Jesus Christ.

Could a child have two genetic mothers? Will parents someday soon be able to choose not only the physical characteristics of their children-to-be, but their personalities and talents as well? Will genetic enhancement ultimately lead to a split in the human species?In this brilliant, provocative, and necessary book, Lee M. Silver takes a cautiously optimistic look at the scientific advances that will allow us to engineer life in ways that were unimaginable just a few short years ago--indeed, in ways that go far beyond cloning. In clear, engaging, and accessible prose, Silver demystifies the science behind a myriad of thrilling and frightening new possibilities, in a book that is essential reading for anyone who wants to understand the hopes and dilemmas of the American family in the twenty-first century.