Pandit Deendayal Upadhyaya is well-known for his holistic philosophy of ‘Integral Humanism’ and the supreme challenge of today; is to convert his ideological-base to actual practice. The key objective of Integral Humanism is to develop an indigenous economic model, based on Bharatiya culture, to solve the problems faced by India. An indigenous economic operating system, with Dharma as its central pillar, is the need of the hour so that India will emerge as the strongest economy of the world in a purely ethical manner. Here in this book the authors try to propose such a developmental strategy by blending Blockchain technologies with Integral Humanism.

Though, childhood of Pandit Deendayal Upadhyaya was spent in dire circumstances, yet he was masked as a talented student when Indian struggle for independence was engulfed by two nation theory. 1942 he started his public life via Rashtriya Swayam Sewaksangh. He was an astute organiser, man of letters, a journalist and an orator. He supplemented his work of R.S.S. through his skills. He joined politics when Bharatiya Jana Sangh was established as a political party under the presidentship of Dr. Syama Prasad Mookerjee. He started Kashmir movement, independence of Goa movement and movement against transferring of Berubari and thus kept these issues alive in Indian politics to strengthen unity and integrity of India. He devoted whole of his life for the integration of India. India needed a strong opposition party and Bharatiya Jana Sangh emerged as a powerful opposition. He made extensive preparation for making this opposition party as an alternative to the ruling party. An alternative was needed not only of the old system but of the old ideologies too. He gave a call for ‘Integral Humanism’, ‘Cultural Nationalism’ and ‘Indianisation’. He remained General Secretary of Bharatiya Jana Sangh from 1951 to 1967 and was made president of the party in 1968, shortly before his gruesome murder. The political party he nurtured became the political alternative in the form of Bharatiya Janata Party.

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Official U.S. edition with full color illustrations throughout. NEW YORK TIMES BESTSELLER Yuval Noah Harari, author of the critically-acclaimed New York Times bestseller and international phenomenon Sapiens, returns with an equally original, compelling, and provocative book, turning his focus toward humanity’s future, and our quest to upgrade humans into gods. Over the past century humankind has managed to do the impossible and rein in famine, plague, and war. This may seem hard to accept, but, as Harari explains in his trademark style—thorough, yet riveting—famine, plague and war have been transformed from incomprehensible and uncontrollable forces of nature into manageable challenges. For the first time ever, more people die from eating too much than from eating too little; more people die from old age than from infectious diseases; and more people commit suicide than are killed by soldiers, terrorists and criminals put together. The average American is a thousand times more likely to die from binging at McDonalds than from being blown up by Al Qaeda. What then will replace famine, plague, and war at the top of the human agenda? As the self-made gods of planet earth, what destinies will we set ourselves, and which quests will we undertake? Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century—from overcoming death to creating artificial life. It asks the fundamental questions: Where do we go from here? And how will we protect this fragile world from our own destructive powers? This is the next stage of evolution. This is Homo Deus. With the same insight and clarity that made Sapiens an international hit and a New York Times bestseller, Harari maps out our future.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

The sixtieth anniversary edition of Frantz Fanon’s landmark text, now with a new introduction by Cornel West First published in 1961, and reissued in this sixtieth anniversary edition with a powerful new introduction by Cornel West, Frantz Fanon’s The Wretched of the Earth is a masterfuland timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world. Alongside Cornel West’s introduction, the book features critical essays by Jean-Paul Sartre and Homi K. Bhabha. This sixtieth anniversary edition of Fanon’s most famous text stands proudly alongside such pillars of anti-colonialism and anti-racism as Edward Said’s Orientalism and The Autobiography of Malcolm X.