A Funny Gift for Grammar Lovers NATIONAL BESTSELLER "A fresh and democratic take on language by a gifted teacher." —Mary Norris "[Jovin] never hectors, never finger-points; she enlightens and illuminates. This is lovely work." —Benjamin Dreyer An unconventional guide to the English language drawn from the cross-country adventures of an itinerant grammarian. When Ellen Jovin first walked outside her Manhattan apartment building and set up a folding table with a GRAMMAR TABLE sign, it took about thirty seconds to get her first visitor. Everyone had a question for her. Grammar Table was such a hit—attracting the attention of the New York Times, NPR, and CBS Evening News—that Jovin soon took it on the road, traveling across the US to answer questions from writers, lawyers, editors, businesspeople, students, bickering couples, and anyone else who uses words in this world. In Rebel with a Clause, Jovin tackles what is most on people’s minds, grammatically speaking—from the Oxford comma to the places prepositions can go, the likely lifespan of whom, semicolonphobia, and more. Punctuated with linguistic debates from tiny towns to our largest cities, this grammar romp will delight anyone wishing to polish their prose or revel in our age-old, universal fascination with language.

As a child actor who smoothly transitioned to adult stardom, Natalie Wood made an unforgettable impact on the world with her sensitive performances and her spectacular beauty. In a span of less than twenty years, her talent graced a dozen classics, including Miracle on 34th Street, The Searchers, Rebel Without a Cause, Splendor in the Grass, West Side Story, and Gypsy, earning her three Oscar nominations and two Golden Globes. Few actresses in Hollywood history have carved out careers as diverse and rich as Natalie Wood's, and few have touched as many hearts in a tragically short lifetime. Natalie Wood: Reflections on a Legendary Life boldly redefines Natalie not by her tragic death, but by her extraordinary life. This is the first family-authorized photographic study of Natalie Wood, and the first book to examine her glamorous film career as well as her private off-screen life as a wife and mother. Highlights include a special section on the making of West Side Story, a foreword by her husband Robert Wagner, a family album with never-before-seen snapshots captioned by daughter Courtney Wagner, an unpublished article written by Natalie in her own words, and an afterword by friend and costar Robert Redford. Natalie Wood: Reflections on a Legendary Life will change the way the world remembers a Hollywood legend.

Camille Claudel, sister of writer Paul Claudel, was a gifted nineteenth-century French sculptor who worked with Auguste Rodin, became his lover, and then left him to gain recognition for herself in the art world. With a strong sense of independence and a firm belief in her own considerable talent, Claudel created some extraordinary works of art and challenged the social and artistic limitations imposed upon the women of her time. Eventually, however, she crumbled beneath the combined weight of social reproof, deprivation, and art-world prejudices. Her family, distraught by her unconventional behavior as well as her delusions and paranoia, had her committed to a mental asylum, where she died thirty years later. Camille Claudel’s life has been romanticized in print and on film, but this is the first fully researched biography to present a rounded picture of the life and work of this remarkable woman. The book, also available in French, has been widely praised for its gripping presentation of the life of a woman artist in the nineteenth century, and for its successful attempt to free Claudel from the myths that had been woven around her. “The complete story of Claudel’s tragic life has never been thoroughly researched and recounted until now, and Ayral-Clause’s polished, to-the-point coverage is galvanizing… Fair and precise, Ayral-Clause’s clarion biography arouses the only reasonable response to Claudel’s saga: outrage.” — Booklist “Ayral-Clause commands much new data and an admirable objectivity. Highly recommended.” — Library Journal “… scholars will find this book, with its mastery of the sources in their original language, a welcome substitute for outdated previous studies…” — Publisher’s Weekly “By excavating Claudel from the edifice of victimization, Ayral-Clause frees us to focus on her work and the factors, both Rodin-and non-Rodin-related, that nurtured and hindered her career.” — Los Angeles Times “This is a fascinating biography… Using newly discovered private letters, family photographs and medical documents recently released to the public, the author provides the first serious, authoritative portrait of this brilliantly gifted, misunderstood artist.” — Umbrella “Ayral-Clause… resists dogmatic interpretation, choosing instead to view her protagonists as fully and as sympathetically as the evidence allows… Her straightforward narrative style offers a clear and vivid context for Claudel’s life and work.” — Art and Auction “Camille Claudel: A Life is riveting: measured, even-handed and revelatory. The author shows how we have absorbed the legend (Rodin exploited and deserted her), ignorant of the facts… Odile Ayral-Clause brilliantly illuminates Claudel’s vivacity and recounts her downfall.” — Art Quarterly (England) “The author has redefined the relationship between Camille Claudel, her environment and the art world, and brings to light the originality of the work of Camille Claudel in relation to Rodin’s” — L’Oeil (France)

Christmas elf Tinklebelle Holly is a screwup. Demoted to a job in the reindeer division after one infraction too many, she hates her job, hates her life, and despises the North Pole. But when a surprise visitor arrives from Elven High Council, and Tink is assigned to show him around, everything changes. Jax Grayson is a dark elf, and unlike anyone she’s ever met. Looking past his obvious hotness, Tink knows he has a secret, and the audit he’s supposedly performing doesn’t feel legit. After an unexpected tragedy occurs, Tink’s life is thrown into even greater turmoil, and it seems like Jax might be the only one Tink can truly trust. Can she help him figure out what’s happening on the North Pole, or will Jax be her worst mistake of all?

The English language is changing constantly. We invent new words and phrases, we mash up idioms, we mispronounce, misuse, misappropriate. Sue Butler has heard it all and is ready to defend and disagree with common usage. Veering from tolerance to outrage, she examines how the word sheila took a nose-dive after World War II, considers whether we should hunker or bunker down, and bemoans the emptiness of rhetoric. She shouts 'down with closure' as it leaps from the psychoanalyst's couch, explains why we've lost the plot on deceptively, untangles the manuka honey stoush, fathoms why the treatment of famous is infamous, and ponders whether you would, could or should ... Rebel without a Clause is a fascinatingly idiosyncratic romp through the world of words by lexicographer and former Macquarie Dictionary Editor, Sue Butler.

Lemn Sissay's poems are laid into the streets of downtown Manchester, feature on the side of a public house in the same city and have been emblazoned on a central London bus route. He has been published in press as diverse as the the Times Literary Supplement and the Independent to The Face and Dazed & Confused. He has been commissioned to write poetry, documentaries and plays for Radio 1 and Radio 4. He has been involved in television in the roles of writing, performing and presenting. He is published in over sixty books and featured on the Leftfield album Leftism, which has sold over five million copies worldwide. Rebel Without Applause is the collection that started everything for Lemn Sissay.

This book features the behind-the-scenes stories of eighty important moments in film history, both on and off the screen. From Robert DeNiro's iconic "You talkin' to me?" scene in Taxi Driver to the strange case of Brandon Lee's death while filming The Crow, this book details the unique circumstances of artistic creation: how the shot was made or the bizarre and often dangerous lengths a director or actor will go to for the perfect take.