Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. At the same time, Chinese literature since 1989 has been characterized as brimming with countercultural ‘attitude’. This book probes the link between literary rebellion and manhood in China, showing how, as male writers critique the outcomes of decades of market reform, they also ask the same question: how best to be a man in the new postsocialist order? In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors in particular: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of insightful readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of maverick, as well as marginal masculinity, and responding to a desire to retain a measure of masculine authority, their characters all engage in forms of transgression that still rely heavily on heteronormative and patriarchal values. Rebel Men argues that masculinity, so often overlooked in literary analysis of contemporary China, continues to be renegotiated, debated, and agonized over, and is ultimately reconstructed as more powerful than before. ‘An exceptionally lucid, elegant study of masculinity in mainland Chinese fiction of the 1990s and 2000s. Both historically and theoretically informed, Rebel Men: Masculinity and Attitude in Postsocialist Chinese Literature offers a major new perspective on post-1989 Chinese counterculture.’ —Julia Lovell, Birkbeck, University of London

Why Men Rebel was first published in 1970 after a decade of political violence across the world. Forty years later, serious conflicts continue in Africa, Asia and the Middle East. Ted Robert Gurr reintroduces us to his landmark work, putting it in context with the research it influenced as well as world events. Why Men Rebel remains highly relevant to today's violent and unstable world with its holistic, people-based understanding of the causes of political protest and rebellion. With its close eye on the politics of group identity, this book provides new insight into contemporary security challenges.

A wide-ranging exploration of the dandy and men's fashion over the past two centuries, from Beau Brummell to hip-hop Artist/Rebel/Dandy celebrates the pleasures of the sharp-dressed man, from the discreet sophistication of the consummately elegant George Bryan "Beau" Brummell in the early 19th century to the diverse, highly personal flair of the tastemakers who color the landscape of menswear today. Since the word "dandy" came into vogue in London in 1813, it has at times been used to describe someone superficial, flamboyant, and self-indulgent. Instead, the dandy is here shown to employ profound thought and imagination in his self-presentation, fashioning an image that often challenges the status quo and transcends the ordinary. A series of fascinating essays traces the often contradictory definitions and images of the dandy, the history of young men and their clothes in the long 19th century, the exquisite fabrics and tailoring that play an important role in dandy style, and the relationship of black dandyism and hip-hop. In addition, this book features fifteen musings on notable dandies written by individuals who share a kinship with their subject, including Patti Smith considering Charles Baudelaire; a reflection on Oscar Wilde by his grandson, Merlin Holland; Daniela Morera, formerly part of Andy Warhol's Factory crowd, reminiscing about the artist's image; and writer Philip Hoare describing the "thrift-shop dandyism" of director John Waters. Published in association with the Museum of Art, Rhode Island School of Design Exhibition Schedule: Museum of Art, Rhode Island School of Design 04/26/13-08/18/13

A soldier at the age of eleven; an honorably discharged veteran at age of thirteen; a miner, a cotton-picker, a shepherd, and a graduate of Hollywood High, Luis Perez lived an incredible life, which has shaped his story into a vividly-realized autobiographical account. Originally published in 1947, El Coyote , the Rebel tells how the toddler Luis, son of an Aztec mother and a French diplomat father, ended up in the care of an uncle, who soon drank away most of the boys inheritance. Having run away from cruel treatment, Luis by chance came to fight with the rebel armies in the 1910 Mexican Revolution, received the nickname of "El Coyote" for his cunning, and was wounded in combat. Upon being given a discharge and a twenty-dollar bill, he walked across the border to become an American. His story concludes, after an episode of amorous misadventures in a missionary school, with the young hero preparing to marry his true love and solemnly taking the oath of U.S. citizenship, at "the beginning of a new tomorrow."

From beloved, RITA-award-winning author Kennedy Ryan comes the gripping, passionate finale of the All the King's Men duology. Though surrender is what Maxim Cade demanded of Lennix Hunter's body and heart, she had other plans. They were fast-burning fascination and combustible chemistry, the son of an oil baron and the Apache daughter at war with his family, but she trusted him, and he turned out to be a thief who stole her love. Still, if what they had was a lie, why had it felt so real? Now, the man she swore to hate is about to have it all, and he wants Lennix at his side. But when the two of them are forced to face the unthinkable, their rocky foundation is tested, as is the invisible thread that seems to wind their fates together. As they navigate a treacherous political landscape in their quest for justice, Maxim and Lennix soon learn that power is a game, and they are merely the pawns and players. Facing insurmountable odds, will they win the world, or will they lose it all?

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution that resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny. Translated from the French by Anthony Bower.