Ambivalence towards kings, and other sovereign powers, is deep-seated in medieval culture: sovereigns might provide justice, but were always potential tyrants, who usurped power and 'stole' through taxation. Rebel Barons writes the history of this ambivalence, which was especially acute in England, France, and Italy in the twelfth to fifteenth centuries, when the modern ideology of sovereignty, arguing for monopolies on justice and the legitimate use of violence, was developed. Sovereign powers asserted themselves militarily and economically provoking complex phenomena of resistance by aristocrats. This volume argues that the chansons de geste, the key genre for disseminating models of violent noble opposition to sovereigns, offer a powerful way of understanding acts of resistance. Traditionally seen as France's epic literary monuments - the Chanson de Roland is often presented as foundational of French literature - chansons de geste in fact come from areas antagonistic to France, such as Burgundy, England, Flanders, Occitania, and Italy, where they were reworked repeatedly from the twelfth century to the fifteenth and recast into prose and chronicle forms. Rebel baron narratives were the principal vehicle for aristocratic concerns about tyranny, for models of violent opposition to sovereigns and for fantasies of escape from the Carolingian world via crusade and Oriental adventures. Rebel Barons reads this corpus across its full range of historical and geographical relevance, and through changes in form, as well as placing it in dialogue with medieval political theory, to bring out the contributions of literary texts to political debates. Revealing the widespread and long-lived importance of these anti-royalist works supporting regional aristocratic rights to feud and revolt, Rebel Barons reshapes our knowledge of reactions to changing political realities at a crux period in European history.

In this sequel to Yankee Earl, an opportunistic widow attempts to set her daughter up with a handsome AmeriCA man, only to become the object of his desires herself.

A volume that explores the rebel baron narrative defined as chansons de geste (medieval chronicles relating heroic deeds) from areas including Burgundy, England, Flanders, Occitania, and Italy

By the mid 1980's, having endured ten years of civil war, Lebanon found itself in the midst of a struggle for power and domination by the myriad of militia groups born during the chaos and instability of the time. Desperation for international recognition and for political leverage led several of the Iranian-backed militias to seize American and other Western hostages. Prisoners of Circumstance is a novel set in the turmoil of this period. It reflects on the kidnapping of men whose only crime was the accident of birth. It deals with the interaction of the hostages with their captors and the initiatives of their wives to focus international attention on their plight, and finally, on a CIA-led effort to forcibly secure their release. Assigned newly to the Embassy in Beirut as the CIA station chief, George Kowalski's task became to plan, sell, and execute a daring rescue of the hostages. Drawing from the elite units of all branches of the military, a dream team' is assembled to launch the rescue mission; a mission which was fraught with surprising and unexpected twists. The characters in the book are fictitious, but the historical and geographical references are accurate. Through dialogue between the characters, the author describes the motivations behind the actions of the various parties involved in the Middle East conflict; a conflict that has persisted for over fifty years and has defied resolution to this day.