This is the first in-depth biography of Rebecca Gratz (1781-1869), the foremost American Jewish woman of the nineteenth century. Perhaps the best-known member of the prominent Gratz family of Philadelphia, she was a fervent patriot, a profoundly religious woman, and a widely known activist for poor women. She devoted her life to confronting and resolving the personal challenges she faced as a Jew and as a female member of a prosperous family. In using hundreds of Gratz's own letters in her research, Dianne Ashton reveals Gratz's own blend of Jewish and American values and explores the significance of her work. Informed by her American and Jewish ideas, values, and attitudes, Gratz created and managed a variety of municipal and Jewish institutions for charity and education, including America's first independent Jewish women's charitable society, the first Jewish Sunday school, and the first American Jewish foster home. Through her commitment to establishing charitable resources for women, promoting Judaism in a Christian society, and advancing women's roles in Jewish life, Gratz shaped a Jewish arm of what has been called America's largely Protestant "benevolent empire." Influenced by the religious and political transformations taking place nationally and locally, Gratz matured into a social visionary whose dreams for American Jewish life far surpassed the realities she saw around her. She believed that Judaism was advanced by the founding of the Female Hebrew Benevolent Society and the Hebrew Sunday School because they offered religious education to thousands of children and leadership opportunities to Jewish women. Gratz's organizations worked with an inclusive definition of Jewishness that encompassed all Philadelphia Jews at a time when differences in national origin, worship style, and religious philosophy divided them. Legend has it that Gratz was the prototype for the heroine Rebecca of York in Sir Walter Scott's Ivanhoe, the Jewish woman who refused to wed the Christian hero of the tale out of loyalty to her faith and father. That legend has draped Gratz's life in sentimentality and has blurred our vision of her. Rebecca Gratz is the first book to examine Gratz's life, her legend, and our memory.

This is the first in-depth biography of Rebecca Gratz (1781-1869), the foremost American Jewish woman of the nineteenth century. This is the first in-depth biography of Rebecca Gratz (1781-1869), the foremost American Jewish woman of the nineteenth century. Perhaps the best-known member of the prominent Gratz family of Philadelphia, she was a fervent patriot, a profoundly religious woman, and a widely known activist for poor women. She devoted her life to confronting and resolving the personal challenges she faced as a Jew and as a female member of a prosperous family. In using hundreds of Gratz's own letters in her research, Dianne Ashton reveals Gratz's own blend of Jewish and American values and explores the significance of her work. Informed by her American and Jewish ideas, values, and attitudes, Gratz created and managed a variety of municipal and Jewish institutions for charity and education, including America's first independent Jewish women's charitable society, the first Jewish Sunday school, and the first American Jewish foster home. Through her commitment to establishing charitable resources for women, promoting Judaism in a Christian society, and advancing women's roles in Jewish life, Gratz shaped a Jewish arm of what has been called America's largely Protestant "benevolent empire." Influenced by the religious and political transformations taking place nationally and locally, Gratz matured into a social visionary whose dreams for American Jewish life far surpassed the realities she saw around her. She believed that Judaism was advanced by the founding of the Female Hebrew Benevolent Society and the Hebrew Sunday School because they offered religious education to thousands of children and leadership opportunities to Jewish women. Gratz's organizations worked with an inclusive definition of Jewishness that encompassed all Philadelphia Jews at a time when differences in national origin, worship style, and religious philosophy divided them. Legend has it that Gratz was the prototype for the heroine Rebecca of York in Sir Walter Scott's Ivanhoe, the Jewish woman who refused to wed the Christian hero of the tale out of loyalty to her faith and father. That legend has draped Gratz's life in sentimentality and has blurred our vision of her. Rebecca Gratzis the first book to examine Gratz's life, her legend, and our memory.

A groundbreaking history of how Jewish women maintained their identity and influenced social activism as they wrote themselves into American history. What does it mean to be a Jewish woman in America? In a gripping historical narrative, Pamela S. Nadell weaves together the stories of a diverse group of extraordinary people—from the colonial-era matriarch Grace Nathan and her great-granddaughter, poet Emma Lazarus, to labor organizer Bessie Hillman and the great justice Ruth Bader Ginsburg, to scores of other activists, workers, wives, and mothers who helped carve out a Jewish American identity. The twin threads binding these women together, she argues, are a strong sense of self and a resolute commitment to making the world a better place. Nadell recounts how Jewish women have been at the forefront of causes for centuries, fighting for suffrage, trade unions, civil rights, and feminism, and hoisting banners for Jewish rights around the world. Informed by shared values of America’s founding and Jewish identity, these women’s lives have left deep footprints in the history of the nation they call home.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Contains primary source material.

In this comprehensive and insightful reinterpretation of antebellum culture, Anne C. Rose analyzes the major shifts in intellectual life that occurred between 1830 and 1860 while exploring three sets of concepts that provided common languages-Christianity, democracy, capitalism. Whereas many interpretations of American culture in this period have emphasized a single theme or have been preoccupied with the ensuing Civil War, Rose considers sharply divergent tendencies in religion and politics and a wide range of reformers, authors, and other public figures.