What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.

In this insightful and thought-provoking collection of poems, author Jeanette Gordon combines poignant, heart-felt reflections on the burdens and blessings of real life to paint a modern day portrait of reality. Her faith in God is the strong foundation for exploring relationships, understanding life and experiencing love. -Elder Anne Powell, Executive Director, Great Grace Consultants This invaluable great book of poems certainly express the heartbeat of everyday life challenges; yet, the author provides insightful points to ponder, with a poetic pause that compels the reader to thrust forward embracing obstacles as opportunities that can lead to great personal growth. After reading this book you will not remain the same! -Elder Addie Gordon-Monroe Jeanette Gordon's writing is filled with power, passion and purpose. Her words illuminate universal truths of the human condition. Her voice is at once recognizable and candidly refreshing. Jeanette inspires all of us to be closer to our authentic selves by always seeking the truth from within. -Eva Q. Tennant A native of Washington, DC, Jeanette Gordon is the daughter of Douglas and the late Ida Gordon and is the youngest of five siblings. Jeanette is currently a member of Good Success Christian Church located in Northeast, Washington, DC. At Good Success, she serves as part the Ministerial team and Director of Missions. Jeanette has earned a B.S. from St. Paul's College in Lawrenceville, VA, B.A. from National Bible College and Seminary in Fort Washington, MD and a M.B.A. from Bowie State University in Bowie, MD. She resides in Suitland, Maryland.

Reality poetry is poems of all walks of life from people in prison to farmers working the land, and some are history of the old west and some outlaws and Sheriffs and Indians . A few are in series form telling about outlaws or Indian wars and so forth, so those will be more than one poem written in sequence. I try to make it so the person reading it becomes the person in the poem. The reality of being in someone else's shoes as the old Indian saying goes. Feeling the pain and anguish of someone else and also the joy when something good is happening. Reality can be hard sometimes but is needed to fulfill our life while here on earth.

Reality Poems (2016) is the revised edition of Isabella George's first e-book, Reality Poems of the Modern Day (2014). The title has been shortened, but content increased. In this revision, the poems are presented as more intense in-depth... and reveal an enriched ever-evolving awareness and determination to address issues more explicitly, without trepidation or regard to criticism. Reality Poems is a body of work that is now a collection of 70 short stories and poems of controversial issues relevant to modern culture. Each poem is a short story that creates mood and movement in a rhythmic lyrical contempo cadence aptly called Versery Rhymes™, some poems are written in an urban vernacular. Many stories in the collection of political and social issues are not usually topics of discourse in traditional poetry. These stories in atomic words are a clear and concise commentary on controversial issues not usually considered to be poetic. A range of poignant topics in the collection includes: Credit card entrapment, drug trafficking, interracial lovers, 9/11 conspiracy and other theories, the horrors of factory farming, death row, psychotic episodes, cigarette smoking, Lucifer Prince of the Air, strippers, the blues, ghosts, frankenfood, baptism, the death of one's mother, civil rights struggle of the '60's, sea level rise Miami and the Everglades, smoking weed, imagining the New World Order, aging cougars. Less poignant topics include: Teenage love crushes, forgetfulness, boys and their frogs, Barbie dolls, fashionistas, Hot Wheels, puppies, parakeets, heartbreak, Kool-Aid, the Brazilian Samba, gremlins, island living and many other topics of life.

Is a politically and socially courageous eclectic collection of short stories and poems of contemporary predicaments and issues that often escape mainstream sensibility. Each poem is a compelling short story, versified in a style of poetry I have tagged as, "Versery Rhymes" which is contempo lyrical verse with a bit of urban vernacular dialogue. A range of poignant topics in this collection pertain to credit card entrapment, drug trafficking, lesbian lovers, prostitution, factory farming, death row, psychotic episodes, cigarette smoking, smoking weed, the Prince of the air, the blues, ghosts, etc. the list goes on. A bit less poignant topics are of teen age love affairs, boys and frogs, the rain, Barbie dolls, fashionistas, hot wheels, puppy's, parakeets, baptism, death, forgetfulness... and much much more...this just names a few. As Langston Hughes penned: "Poetry is the human soul entire, Squeezed like a lemon or a lime, Drop by drop into atomic words". The reality of truth in atomic words that are direct commentary on issues is what this work is about.