Train noises without trains and mysterious explosions baffle the residents of South Wiggot as eleven-year-old Bryan and his friend Spot try to connect the strange happenings with the town's newest industry and its president, Mr. Keen.

Train noises without trains and mysterious explosions baffle the residents of South Wiggot as eleven-year-old Bryan and his friend Spot try to connect the strange happenings with the town's newest industry and its president, Mr. Keen.

Ariel has always been curious, but when she and her best friend Zeke stumble upon a mysterious old telling dart she feels an unexplained pull toward the dart, and to figuring out what it means. Magically flying great distances and only revealing their messages to the intended recipient, telling darts haven't been used for years, and no one knows how they work. So when two strangers show up looking for the dart, Ariel and Zeke realize that their discovery is not only interesting, but very dangerous. The telling dart, and the strangers, leads them to a journey more perilous and encompassing than either can imagine, and in the process both Zeke and Ariel find their true calling.

Through the shadowy persona of "Deep Throat," FBI official Mark Felt became as famous as the Watergate scandal his "leaks" helped uncover. Best known through Hal Holbrook's portrayal in the film version of Bob Woodward and Carl Bernstein's All the President's Men, Felt was regarded for decades as a conscientious but highly secretive whistleblower who shunned the limelight. Yet even after he finally revealed his identity in 2005, questions about his true motivations persisted. Max Holland has found the missing piece of that Deep Throat puzzle--one that's been hidden in plain sight all along. He reveals for the first time in detail what truly motivated the FBI's number-two executive to become the most fabled secret source in American history. In the process, he directly challenges Felt's own explanations while also demolishing the legend fostered by Woodward and Bernstein's bestselling account. Holland critiques all the theories of Felt's motivation that have circulated over the years, including notions that Felt had been genuinely upset by White House law-breaking or had tried to defend and insulate the FBI from the machinations of President Nixon and his Watergate henchmen. And, while acknowledging that Woodward finally disowned the "principled whistleblower" image of Felt in The Secret Man, Holland shows why that famed journalist's latest explanation still falls short of the truth. Holland showcases the many twists and turns to Felt's story that are not widely known, revealing not a selfless official acting out of altruistic patriotism, but rather a career bureaucrat with his own very private agenda. Drawing on new interviews and oral histories, old and just-released FBI Watergate files, papers of the Watergate Special Prosecution Force, presidential tape recordings, and Woodward and Bernstein's Watergate-related papers, he sheds important new light on both Felt's motivations and the complex and often problematic relationship between the press and government officials. Fast-paced and scrupulously fact-checked, Leak resolves the mystery residing at the heart of Mark Felt's actions. By doing so, it radically revises our understanding of America's most famous presidential scandal.

Every heart harbours dreams yearning to breach the bounds of reality, cradling a cosmos brimming with worlds and suns. Mastering the art of consistency and expression is a journey of years, demanding discipline to morph into habit. Yet, imagine a breakthrough where Jason’s invention makes this possible in a single day. Picture a world where others can not only see and comprehend the universe within you but also dance to the rhythm of your soul, under skies echoing your favourite melodies, with every heartbeat in harmony. In an era long lost, connectivity was innate, solitude unknown, and peace reigned supreme. A time devoid of corruption, brimming with life, magic, creativity, and joy, where the inner worlds remained dreams, unattainable – until now. But what if this power falls into the wrong hands? What if the dreams that seep into reality are those better left unexplored? Who then holds the reins? Prepare yourself for an odyssey exploring the essence of humanity, where the souls of men and women clash in this monumental struggle. A narrative rich with dreamers, each bearing their own tales, unexpected turns, concealed mysteries, enchantments, profound emotions, obstacles, and surfacing sentiments. Encounter a novel antagonist, Collider, a reflection of the adversities we face daily, and envision a new champion, the embodiment of our aspirations. A CIA agent on the trail of Collider, amid chaos and ruin, stumbles upon discoveries beyond her wildest dreams.

Bruce Wagner weaves together tales of desperation and depravity of the modern age in Dead Stars, his uproarious and sharply critical take on the obsessions of Hollywood. Telma, the world’s youngest breast cancer survivor, is threatened with obscurity by a four-year-old that’s undergone a mastectomy. Reeyonna, a pregnant teenager, believes she will befriend Kanye West by auditioning for pregnant teenage porn. A photographer, Jacquie, rejuvenates her career by turning her lens toward dead babies. And Michael Douglas searches for purpose and meaning when his wife, Catherine, guest-stars on the television series, Glee. Wagner gives a tour through the lowest depths of fame-seeking behavior and idolatry in what The New York Times called a “collagelike picture of Hollywood as a sewer of depravity.”

In the period between the Second World War and the present, there has been an extraordinary rise in the production of medievalist fantasy literature and film. This has been accompanied by the revival, performance and invention of medieval music. In this enterprise modern fantasies of the Middle Ages have exercised great influence. Fantasies of music in nostalgic medievalism shows how music, medievalism and nostalgia have been woven together in the fantasies of writers and readers, musicians, musicologists, directors and listeners, film-makers and film-goers. This book studies the ways in which three fields of creative activity inspired by the medieval – musical performance, literature, cinema and their reception – have worked together to produce and sustain, for some, the fantasy of a long-lost, long-mourned paradisal home.