Extract from review: '...Mukherjee's book is valuable as an original, insightful commentary upon the Indian regional novel. Further, it suggests a methodology for examining the means by which other derivative literatures within the colonized world reconciled the demands of western realism with the representation of indigenous realities.' Modern Fiction Studies

The 2002 theme of 'Northern Lights' is dedicated to the representation of reality in film, TV and new media -- a question of new importance in modern film and media, where a new wave of realism has dominated cinema and reality -- TV became a mass phenomena on both TV and the internet. Eleven articles by Danish, British, and American film and media researchers focus on two sub-themes: 'Film and Realism' deals theoretically with film realism and analyses classic films and modern Danish Dogma films; 'Documentary Forms, Reality TV and New Media' treats new forms of non-fiction film, TV and on the internet in a both theoretical and historical perspective.

This study recapitulates basic developments in the tradition of hermeneutic and phenomenological studies of science. It focuses on the ways in which scientific research is committed to the universe of interpretative phenomena. It treats scientific research by addressing its characteristic hermeneutic situations, and uses the following basic argument in this treatment: By demonstrating that science’s epistemological identity is not to be spelled out in terms of objectivism, mathematical essentialism, representationalism, and foundationalism, one undermines scientism without succumbing scientific research to “procedures of normative-democratic control” that threaten science’s cognitive autonomy. The study shows that in contrast to social constructivism, hermeneutic phenomenology of scientific research makes the case that overcoming scientism does not imply restrictive policies regarding the constitution of scientific objects.

International in scope and more comprehensive than existing collections, A Companion to Reality Television presents a complete guide to the study of reality, factual and nonfiction television entertainment, encompassing a wide range of formats and incorporating cutting-edge work in critical, social and political theory. Original in bringing cutting-edge work in critical, social and political theory into the conversation about reality TV Consolidates the latest, broadest range of scholarship on the politics of reality television and its vexed relationship to culture, society, identity, democracy, and “ordinary people” in the media Includes primetime reality entertainment as well as precursors such as daytime talk shows in the scope of discussion Contributions from a list of international, leading scholars in this field

This book presents quantum theory as a theory based on new relationships among matter, thought, and experimental technology, as against those previously found in physics, relationships that also redefine those between mathematics and physics in quantum theory. The argument of the book is based on its title concept, reality without realism (RWR), and in the corresponding view, the RWR view, of quantum theory. The book considers, from this perspective, the thinking of Bohr, Heisenberg, Schrödinger, and Dirac, with the aim of bringing together the philosophy and history of quantum theory. With quantum theory, the book argues, the architecture of thought in theoretical physics was radically changed by the irreducible role of experimental technology in the constitution of physical phenomena, accordingly, no longer defined independently by matter alone, as they were in classical physics or relativity. Or so it appeared. For, quantum theory, the book further argues, made us realize that experimental technology, beginning with that of our bodies, irreducibly shapes all physical phenomena, and thus makes us rethink the relationships among matter, thought, and technology in all of physics.

In The Realistic Imagination, George Levine argues that the Victorian realists and the later modernists were in fact doing similar things in their fiction: they were trying to use language to get beyond language. Levine sees the history of the nineteenth- and early twentieth-century novel as a continuing process in which each generation of writers struggled to escape the grip of convention and attempted to create new language to express their particular sense of reality. As these attempts hardened into new conventions, they generated new attempts to break free.

Defending a realism about truth, Fumerton (philosophy, U. of Iowa) argues that the most plausible version of realism is the correspondence theory of truth, and that only by including in one's ontology the critical relation of correspondence between truth bearers and truth makers can one avoid an implausible metaphysics of possibilia in a realist analysis of falsehood. Annotation copyrighted by Book News, Inc., Portland, OR