How do you show students that revision is more than a classroom exercise to please the teacher? Take them into the real world of writing for publication. In Real Revision, award-winning author and teacher Kate Messner demystifies the revision process for teachers and students alike and provides tried-and-true revision strategies, field tested by students' favorite authors. Kate takes us on a behind-the-scenes look at how more than thirty-five authorsincluding Julie Berry, Watt Key, Loree Griffin Burns , Jane Yolen, Lisa Schroeder, Suzanne Selfors, Eric Luper, Danette Haworth, and Kathi Appeltrevise their works, often many times over, before they appear on library and bookstore shelves. Using successful strategies from her own classroom, Kate teaches how authors use research, brainstorming, and planning as revision tools; how they revise to add detail and make characters stronger; and how students can use those same techniques for all kinds of writing in the classroom. Real Revision features dozens of reproducible 'mentor author pages, with quotes from the authors about their revision processes, and includes related classroom-ready activities. For any teacher who wants to produce strong real-world writers, Real Revision will infuse the classroom with new energy as students use mentor authors as models for their own revision and writing.

Your first draft is a work of imagination, but that doesn't mean it's a work of art--not yet. With Jack Smith's technical and inspirational guidance, you can turn your initial draft into a compelling story brimming with memorable characters and a page-turning plot. As Jack states inside Write and Revise for Publication, writing is a complex act, one that calls upon all the powers of our creative resources, imagination, and intellect. Top-notch storytelling is not achieved the first time around, nor should it be expected so soon. But it is possible. Through Jack's detailed instruction and precise methods, you will learn the revision techniques and fine-tuning skills needed to create powerful, polished works ready to submit to magazines, agents, and publishers. "As inspiring as it is practical...combines great advice, apt examples, and a can-do spirit that will excite and improve any aspiring writer." --Ron Hansen, author of A Wild Surge of Guilty Passion and The Assassination of Jesse James by the Coward Robert Ford "I believe Jack Smith might have written THE BOOK on writing and revising for publication. Clean, direct, succinct--a book that is full of pure wisdom and truth, but also amazing technical advice." --Virgil Suarez, author of Latin Jazz, The Cutter, Havana Thursdays, and Welcome to he Oasis

Polished over 20 years of use at the university level, this book combines Professor Collings's lucid instruction with practical exercises to introduce beginners to poetry, and to encourage more practiced poets to expand their horizons. Twenty poetic exercises that will strengthen and hone your craft!

Have you ever picked up a volume of theology, read the first page, and decided you would rather scrub the bathroom floor than read another page? Theology does not need to be abstract, dull, boring, tedious, dense, inconsequential, trivial, remote, immaterial, or unimportant. Theology should not leave readers feeling bewildered and lost. Expressing Theology challenges writers of theology to craft engaging, compelling, and beautiful prose that grabs readers' attention and makes reading a pleasure. Expressing Theology provides writers of theology--academics, aspiring, and published--with perspectives and writing techniques to write theology that readers want to read.

Finn, a writing teacher, shares her expertise by encouraging students to create thoughtful, artistic, and interesting writing about themselves. Lesson topics include generating thoughtful questions, making connections, developing metaphors, and searching for themes in life. Illustrations.

How closely do your students read their writing? What are the implications for those who do and those who don't? During her work in classrooms, literacy coach Paula Bourque noticed that students who read their own writing closely are engaged in their work, write fluently, are able to produce lengthy drafts, and incorporate teaching points from mini-lessons into the day's writing. In this comprehensive book, Paula shows you that no matter what structures or lessons you use in your writing classroom, the strategies in Close Writing will help you make these better by creating student writers who are more aware of what effective writing looks like, who care about what they write, and who take ownership and responsibility for their growth as writers. Paula argues that a key element in close writing is learning to look and looking to learn by closely reading our own writing. Instead of focusing on the mechanics of their writing, she encourages students to read their words for understanding, clarity, and the effect they will have on an audience. She urges them to recognize their habits and their approaches to writing and to build upon them.Close Writing is based on research and methods that are reliable and valid best practices, but it will not prescribe lessons or structures. It gives you a peek inside classrooms where teachers just like you are working with budding authors just like yours. Paula also provides considerations for ELL writers, as well as a section of interviews with authors. She shares an extensive reference/resource guide, and a companion website with students' work samples, reproducibles and templates, and videos of classroom writing lessons round out this must-have resource.