An examination of women's self-defense culture and its relationship to feminism. I was once a frightened feminist. So begins Martha McCaughey's odyssey into the dynamic world of women's self- defense, a culture which transforms women involved with it and which has equally profound implications for feminist theory and activism. Unprecedented numbers of American women are learning how to knock out, maim, even kill men who assault them. Sales of mace and pepper spray have skyrocketed. Some 14 million women own handguns. From behind the scenes at gun ranges, martial arts dojos, fitness centers offering Cardio Combat, and in padded attacker courses like Model Mugging, Real Knockouts demonstrates how self-defense trains women out of the femininity that makes them easy targets for men's abuse. And yet much feminist thought, like the broader American culture, seems deeply ambivalent about women's embrace of violence, even in self-defense. Investigating the connection between feminist theory and women physically fighting back, McCaughey found self-defense culture to embody, literally, a new brand of feminism.

When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.

Frequenting gun shops and shooting ranges, and devoting particular attention to those whose interest in weaponry extends beyond the casual, Abigail A. Kohn captures in finegrained and often entertaining, yet always humane, detail how gun owners actually think and feel about their guns. Through her conversations--with cowboy action shooters at a regional match, sport shooters, hunters, with shooters of all ages and races--we hear of the "savage beauty" of a beautifully crafted long gun, of the powerful historical import owners attach to their guns, of the sense of empowerment that comes with shooting skill, and the visceral thrill of discharging a dangerous weapon. Cutting through the cliches that link gun ownership with violent, criminal subcultures and portray shooters as "gun nuts" or potential terrorists, Kohn provides us with a lively and untainted portrait of American gun enthusiasts.

Good vs. Evil - all Christians know the ultimate outcome of this perpetual struggle, but what about on a less cosmic level? What about our personal conflicts - urban violence, domestic violence, the daily challenge of making choices that are love motivated and honor God instead of being evil and self serving? This book follows a young urban couple, Samuel and Penny, as they try to honor their love for each other and Christ while confronting the attacks of an evil world. They are confronted by violence, greed, mayhem, hatred, prejudice, and revenge during an unusual courtship. But there's much that is unusual in this relationship. Penny's West Virginia heritage is not what you might expect, and Samuel has much to consider before he commits to a life-long relationship with her. His nominal Christianity is no match for the forces that confront him. There's much for him to learn, and discover. But he's not the only one with a quandary; Penny has to be very careful just who it is she marries. Not everyone can bear up under the weight of the legacy she is heir to, a legacy that is centuries old, dating back to the first human presence in the West Virginia mountain country she calls home.

The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.

Joe Perry exposes his unrepentant, unbridled life as the lead guitarist of Aerosmith. He delves deep into his volatile, profound, and enduring relationship with singer Steve Tyler and reveals the real people behind the larger-than-life rock-gods on stage. The nearly five-decade saga of Aerosmith is epic, at once a study in brotherhood and solitude that plays out on the killing fields of rock and roll. With record-making hits and colossal album sales, Aerosmith has earned their place in the Rock and Roll Hall of Fame. But theirs is ultimately a story of endurance, and it starts almost half a century ago with young Perry, the rebel whose loving parents wanted him to assimilate, but who quits school because he doesn't want to cut his hair. He meets Tyler in a restaurant in New Hampshire, sways him from pop music to rock-and-roll, and it doesn't take long for the "Toxic Twins" to skyrocket into a world of fame and utter excess. From the mega-successful song and music video with Run DMC, "Walk This Way," to the realization that he can't pay his room service bill, Perry takes a personal look into the human stories behind Aerosmith, the people who enabled them, the ones who controlled them, and the ones who changed them.

Boxing fans love the upset, seeing the underdog surprise the heavy favorite and take the fight to him, winning over the fans and--perhaps even more important--the judges. Sylvester Stallone mined that emotion through his long series of Rocky films. Rocky is fiction, however. The men in Rocky Lives! are real. David E. Finger, a writer for top boxing website FightNews.com, presents chronologically seventy-five heavyweight boxing upsets of the 1990s. Some involve boxers still fighting today; others contain a cautionary tale of once-great boxers chasing one last payday. There are also the early-round disasters of wannabes and athletes who switched to boxing in midstream. From the Tyson-Douglas, Foreman-Moorer, and Lewis-McCall top-dollar fights to low-level curiosities like former New York Jet Mark Gastineau getting embarrassed or Eric "Butterbean" Esch taking to the ring, David Finger presents the best heavyweight upsets the 1990s have to offer. You'll read about crooked promoters drugging opponents, a convicted felon hoping victory in the ring will win him leniency, and a forty-five-year-old preacher looking to exorcise a two-decade-old demon. Rocky Lives! brings all the knockouts and slugfests right into your home.